Gold for war, the fourth wonder of the world and Ephesus marble
Horse fight. The bas-relief depicts the battle between the Ionian Greeks and the Galatians, with the victory for the Greeks. On it, we see a Greek rider in armor, whose horse jumps over a fallen galata, and on the left a galata on foot is trying to cover itself with a shield. Another galat falls from the horse upside down. Already at the beginning of the 3rd century BC. e. Celtic Galatians repeatedly invaded Asia Minor. This relief probably refers to the war of 168-166 BC. e., in which Eumenes II, king of Pergamum, won a brilliant victory over the Galatians. Selcuk, Asia Minor, Turkey (Ephesus Museum, Hovburg, Vienna)
And this threatens us with the fact that not only our craft will come to contempt, but the temple of the great goddess Artemis will not mean anything, and the greatness of that revered by all of Asia and the universe will be destroyed. After hearing this, they were filled with rage and began to shout, saying: great is Artemis of Ephesus!
Acts 23:28
Ancient civilization. In our cycle of acquaintance with ancient culture, two materials have already been published: “Croatian Apoxyomen from under the water. Ancient civilization. Part 2 " и “Homer's poems as a historical source. Ancient civilization. Part 1 ". Not so long ago, one of the readers of VO reminded me that there were no new materials on this topic for a long time. And so, "the stars converged." There was a theme for the mood, and for it an interesting illustrative material, and ... the theme of war is also present in it, even if it is not its main one.
"Old men". A fragment of the Northern Parthenon frieze. The Vienna fragment with the heads of two elderly, bearded men facing each other, depicts the so-called tallofors - worthy citizens participating in the procession with olive branches in their hands. The exact location of the fragment inside the frieze is known from the drawings of the French artist Jacques Kerry, who made detailed studies of the Parthenon in 1674, and a little later, in 1687, the Venetians, led by Francesco Morozini, destroyed most of the church during the siege of the city. Dates 442 - 438 years. BC. (Ephesus Museum, Hovburg, Vienna)
So, today our story will be about the fourth wonder of the world - the temple of Artemis at Ephesus. Unfortunately, of the seven miracles that were known in the era of the Ancient World, only one thing survived - three pyramids in Giza. All the rest were destroyed, and if something remained of them, then often it’s not even ruins, but only some fragments of the same decorative decoration, or stone blocks embedded in the walls of later buildings and fortresses. The situation is approximately the same with this magnificent temple, but here we were a little more fortunate. However, first things first ...
It was so that the inhabitants of mainland Greece constantly needed living space and periodically removed some of their citizens to the colony. By the way, in a completely democratic way. To whom to stay, and to whom it was decided to go by lot, that is, the will of the gods. One of these colonies was founded in Asia Minor opposite the island of Samos and was called Ephesus. The city quickly got rich, because it had a favorable location, and grew. Near the city was a small sanctuary of the local fertility goddess in the form of a many-breasted woman. Why the Greeks who came here identified her with their goddess Artemis - a chaste virgin, the goddess of the moon, a huntress, the patroness of young women, animals and ... childbirth, is not entirely clear. But it was so. And every goddess needs a temple and the Ephesians decided to build it. But they did not have money for this until the city in 560 BC did not conquer the Lydian king Croesus, rich well, just to the point of impossibility. And although he conquered the city, he clearly did not dare to quarrel with the Greek gods and especially the goddesses, but on the contrary he made generous donations for the construction of the Temple of Artemis and even ... presented him with several columns. Here it was necessary to build a temple.
Statue of the goddess Artemis, discovered in 1912 (National Museum, Tripoli).
Since earthquakes were frequent in Asia Minor, a boggy area was chosen as a place for it, hoping that soft soil would soften tremors. They dug a deep foundation pit, laid beams of charred oak trunks at the bottom, and covered it all with a thick layer of stone chips. It was on such a foundation that the first temple was built. Its dimensions were very impressive: length 105 m, width 51 m, and its roof was supported by 127 columns each 18 meters high. The roof beams were of cedar, and the doors of cypress. In Celle - the sanctuary of the temple - was a two-meter statue of the goddess of grape wood, lined with gold and silver
The wounded Amazon. The relief was found in front of the theater in Ephesus, where it was built into the road pavement. Presumably, he was on the altar of the temple of Artemis. However, the last assumption is very controversial Selcuk, Asia Minor, Turkey (Ephesus Museum, Hovburg, Vienna)
Surprisingly, it just so happened that the temple turned out to be closely connected with the fate of another great man of the ancient era - Alexander the Great. It so happened that the new church did not stand even ten years, when it was set on fire by the madman Herostratus, who thus decided to immortalize his name for centuries. He so bluntly said this at the trial and ... the inhabitants of Ephesus decided to swear never to pronounce his name in order to punish him for such a blasphemous act. But, apparently, one of the Ephesians still blabbed, otherwise how would the expression “Glory of Herostratus” become winged?
The question arises: how can a stone temple burn out? But the fact is that in the Greek temples there was a lot of wood. These are partitions inside the temple and doors, and ceiling ceilings. There were rich draperies, oil vessels donated to the temple. All this is an excellent combustible material. In addition, heat turns marble into lime. So it is not surprising that the temple from the fire collapsed to the ground. But all the more surprising is that between the cracked walls and the charred beams, the Ephesians found a statue of Artemis, almost untouched by fire. This was considered a sign, the desire of the goddess, that her temple was restored to this very place. Moreover, comparing the dates, the Ephesians learned that it was on the day when their temple burned down that in the distant Pella the son of the powerful king Philip of Macedon, Alexander, was born. At all times there were malicious and spiteful people, and at that time there were quite a few who started asking the Ephesians why their Artemis had not saved their church from the fire, to which they came up with a very worthy answer: “That night, Artemis assisted during childbirth Alexandra in Pella near Thessaloniki. ”
Corinthian marble capital from the gymnasium palette at the port of Ephesus, 1st century AD It differs in very clearly defined forms. The canonical elements of the Corinthian capitals are fully realized, but at the same time dispense with small decorations and excesses. This component is evidence of the effective work of the architects of the imperial era. Middle Imperial period. Place of detection: Ephesus Harbor Gymnasium, “Marble Hall” Selcuk, Asia Minor, Turkey (Ephesus Museum, Hovburg, Vienna)
The news of the death of the temple shocked all of Greece. The collection of donations for the creation of a new temple, even more beautiful, began. The construction was entrusted to the architect Heirocrates, who began by turning the remaining pile of ruins into his new foundation. They were lined up, rammed and overlaid with marble slabs. After that, the base increased to 125 m in length and 65 in width. The number of columns is 127, they did not change, but 36 of them received carved bas-reliefs at the base of a height of human height. They depicted figures of Greek gods and heroes. The new church was two meters higher due to the higher base, and he also received a roof made of stone slabs lying on stone beams so that some Herostratus would not set it on fire again.
Interestingly, the fate of the temple and Alexander the Great crossed again in 334 BC. e., when he visited him after defeating the Persians, landed in Asia Minor. In honor of the goddess, he organized a ceremonial procession in front of the temple, and promised the inhabitants of Ephesus to give money for the maintenance of the new temple and to pay the costs of its construction. The proposal was tempting, but the inhabitants of Ephesus did not like it primarily because in their eyes even the great Alexander was just ... a barbarian (and everyone who did not speak Greek was considered a barbarian in Greece) and a foreigner, although dangerous, and they resorted to tricks. They stated that they saw him as a god (in our textbooks they usually wrote that the Egyptian priests declared him to be god) and rejected Alexander’s offer on the pretext that God was not to build temples in honor of the goddess. Flattery at all times acted upon people without fail. So Alexander was flattered by such a statement, and he left these places.
It should be noted that the temples in ancient Greece, including the temple of Artemis at Ephesus were not just a center of religious worship. The temple also played the role of a large bank and a place of conclusion of transactions, since its deity was the guarantor of honesty. Anyone who needed money could go to the temple, bring guarantors with him and turn to his main priest with a request for a loan. That is, he played the role ... director of the bank, that's even how. Typically, the interest rate was ten percent, that is, if a person took, say, one hundred talents, then annually paid ten talents as a percentage. Interestingly, the cities paid less - six percent, and if the city needed money for the war, the priests of the temple of Artemis took only a half percent - that’s how they sponsored the war.
Cupids hunting for lions. The theater scene was one of the richly decorated architectural ensembles of Roman Ephesus. Its three-story facade was decorated with sculptures, including this relief. The composition of the frieze is characteristic of the Hellenistic culture. Place of detection: Ephesus Theater. Selcuk, Asia Minor, Turkey. (Ephesus Museum, Hovburg, Vienna)
The temple enjoyed all its privileges under the Romans, only its patron goddess began to be called Diana. Only in 262 A.D. he was plundered and partially destroyed by the Goths. And after 118 years, Emperor Theodosius completely banned paganism, making Christianity the state religion, after which the temple began to be used as a quarry. Both Christians, Seljuk Turks, and Arabs worked on it, the remains of the foundation were covered with silt, as the Kaistra River flowed nearby, so when the Ottoman Turks finally came to these places, they could not even imagine that here then there was the fourth wonder of the world!
Artemis of Ephesus. Roman copy of the 1st century AD from the statue of the Temple of Artemis (Ephesus Museum, Turkey)
Interesting story, is not it? But we, however, are no less interested in the history of the archaeological research of Ephesus. And it began back in 1863, when the British architect and engineer John Turtle Wood, who had been designing railway station buildings on the Smyrna-Aydin line since 1858, became interested in the missing Temple of Artermida in Ephesus, which, however, was mentioned in the New Testament (Acts Apostles 19:34). That is, not only Heinrich Schliemann was inspired by the excavations of ancient lines. There were others besides him. Wood received a firman from Porta for the excavation, the British Museum gave the money, and Wood began to dig. In February 1866, while digging up the theater of Ephesus of Roman times, Wood discovered a Greek inscription saying that gold and silver figurines were transported from the temple to the theater through the Magnesian Gate. A year later, he found the Sacred Way by which Artemision connected with the city. Finally, on December 31, 1869, Wood made his main discovery: he discovered that the ruins of the temple were covered with a six-meter layer of sand, after which he carried out a truly titanic work: from 1872 to 1874 he removed about 3700 cubic meters of sandy-rocky soil. Moreover, he managed to send to the British Museum as much as about 60 tons of various fragments of sculpture and architecture. But due to difficult conditions, his health was shaken and in 1874 he returned to London.
The base of the column of the temple of Artemis at Ephesus. The first figure probably depicts Tanat, the second Alcestius, then Hermes, Persephone and Hades (but he is not visible). OK. 320 BC (Ephesus Museum, Hovburg, Vienna)
It was obvious to the scientific community that an outstanding discovery was made, but ... that not everything was excavated there! Therefore, in 1895, the German archaeologist Otto Benndorf, having agreed with the Austrian Karl Mautner Ritter von Marhof on a subsidy of 10 guilders, resumed excavations there. And in 000, Benndorf founded the Austrian Archaeological Institute, which today plays a key role in the research of Ephesus. Since that time, Austrian scientists have been excavating there almost continuously, or rather, intermittently for two world wars, and have been going on there now since 1898. True, since this year, a local organization such as the Archaeological Museum of Ephesus has also begun to dig there. The British also dug there and in 1954 made an important discovery: the archaeologist David Hogarth found the “treasure of Artemis” - 1903 beautiful pearls, gold earrings, hair pins, brooches and coins from an electron - an alloy of gold and silver, which turned out to be the oldest minted coins. In 3000, the workshop of the great Phidias was excavated there, where three copies of the statue of Artemis from the first, burnt temple were found. So the excavations there have been going on for more than a century, but despite this, only 1956% of the total area of ancient Ephesus has been investigated, it turned out to be so large. True, in September 10, Turkey revoked the license of Austrian archaeologists due to the deterioration of relations between Ankara and Vienna. But it is expected that they will continue after the clarification of relations between these countries. You can see the finds from Ephesus in the Vienna Palace of Hovburg, where there is the whole Vienna Museum of Ephesus, in the Archaeological Museum of Ephesus in the city of Selcuk in Turkey, that is, almost in the same place as the ancient Ephesus, and even swim in the sea nearby, and also at the British Museum.
Statue of the goddess Artemis from the Vatican Museum.
A very important role in the creation of the Museum of Ephesus in Vienna was played by the agreement between the Ottoman Empire and Austria. Then Sultan Abdul Hamid II gave a generous gift to Emperor Franz Joseph: some of the discovered antiquities were presented to his imperial house. Subsequently, the ships of the Austrian Navy fleet brought several consignments of these archaeological finds to Vienna, where they were put on display in the Theseus temple in Volkswagen. So everything that was exhibited in Hovburg got there absolutely legally! And this is especially valuable, since the export of antiquities from Turkey was then generally prohibited after the adoption of the Turkish Antiquities Act of 1907. After that, Vienna from Turkey no longer received anything.
The collection was kept for many years, until in December 1978 the Vienna Museum of Ephesus in its modern form was finally opened inside the section of the New Palace of the Hovburg complex. Visitors are presented with an impressive array of Greek bas-reliefs and Roman sculptures that once adorned various institutions, including extensive thermal baths and the Theater of Ephesus. A number of architectural elements give the impression of the richly decorated facades of magnificent ancient buildings, and the model of the ancient city allows you to better understand the appropriate location of objects in the topography of Ephesus.
"The adoption of emperors Lucius Vera and Marcus Aurelius." Bas-relief of Roman time (Ephesus Museum, Hovburg, Vienna)
The Ephesus Museum in Vienna is visited annually by two million visitors. And in Turkey, the Ephesus Museum is the most visited tourist attraction after the Hagia Sophia and Topkapi Palace in Istanbul. By the way, the ruins need care, they need reconstruction, as well as the restoration of ancient monuments. Modern Austrian specialists are also engaged in all this in Turkey, although their work is almost imperceptible.
But this is our friend Apoxyomen - an athlete who cleanses himself after a contest. We have already met with the same statue found in Croatia. This is her copy. Or that statue is a copy of this. It is known that Greek athletes after practicing sports and competing in Palestine cleaned themselves of oil and dust with strigilis, a curved scraper. The bronze statue depicts a young man who holds the (lost) strigil with the thumb and forefinger of his left hand. The statue is re-composed of 234 fragments found in the palette of the Ephesus port gymnasium. So, this is one of the copies of Roman times from the lost original of the 4th century BC. e. The statue is 192 cm tall. It was a gift to Emperor Franz Joseph, which in 1911 was made to him by Sultan Abdul Hamid II. Selcuk, Asia Minor, Turkey (Ephesus Museum, Hovburg, Vienna)
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