"Schilling Chronicle" as a historical source

29
"Schilling Chronicle" as a historical source
Bern's army sets out on a campaign. Notice how well armed the Bernese are in general. Most of them have armor, all have helmets. Main weapons are long pikes, halberds and one-and-a-half-handed swords. The foreground shows shooters with crossbows and firearms, with one shooter holding a lit fuse in his hand. Interestingly, only the standard bearer with the flag and the riflemen have feathered headdresses! Diebold Schilling "Official Chronicle of Bern", Bern, 1478–1483. Bern City Library


"Other events of the reign of Abijah,
what he did and said
recorded in stories Prophet Iddo."

Second Chronicles 13:22

Documents of history. On the pages of VO we have already told our readers more than once about various historical documents containing valuable information on the history of different countries and peoples. Today we will go down to a lower level and get acquainted with the chronicle of just one city - Swiss Bern, and we will take the “Chronicle of Schilling” as an illustrated source.



First of all, let’s find out what kind of document this is.


Siege of the city. There is a bombard with a movable cover, and stone cannonballs and caps with gunpowder (!). Shooters from rifles and crossbows fire at the city from behind the shield cover. And the residents, having received a huge cannonball into the wall... surrender!

And it so happened that the Amtliche Berner Chronik (“Official Chronicle of Bern”) was commissioned by the city of Bern to Diebold Schilling* (1445–1486) in 1474. About ten years later he was able to present to the city council a three-volume work with colored title pages, decorative initials, and more than six hundred large illustrations. Moreover, in his chronicles he also included excerpts from original documents and even folk songs, which makes them extremely valuable sources for modern researchers today.


Various types of weapons used by the Bernese...

It covered the period from 1152 to 1480 and was based on the older chronicle of Conrad Justinger according to the version of Bendicht Chahtlan. The work remained in the possession of the Bern Chancellery for almost three hundred years before, in 1762, all volumes were transferred to the city library of Bern, where it remains today.

Well, today we will briefly get acquainted with the history of this city, but mainly we will look at the amazing quality illustrations from this chronicle and see what knowledge from the field of military history of the late Middle Ages we can extract from them.


And again the Bernese, together with their allies, set out on a campaign. The foreground shows a gun with a roof over the breech and flags depicting a bear

Let's start with the fact that although settlements on the site of Bern are known from the Neolithic era and the La Tene period, the city itself was founded in 1191. The city was created by Berchtold V, Duke of Zähringen, who allegedly vowed to name it after the first animal he encountered while hunting. It turned out to be a bear, so the city was named after him, and he received the corresponding coat of arms, although experts have great doubts about the veracity of this legend.


It's the 14th century, but... covers from the times of Ancient Rome, as you can see, were still in use!

It is interesting that on some pages the years are indicated below the illustrations - in this case 1324.

But here’s what’s curious: Schilling wrote his chronicle more than a hundred years later, and if so, the question arises - to what time do his illustrations date back? By the indicated year or still by the time of writing?

Judging by the images of handguns, which did not yet exist in 1324, the drawings in his chronicle date back to the time of writing, that is, to the end of the XNUMXth century...

The city was lucky in that Duke Borchtold died childless, with the result that Bern became an imperial free city already in 1218. In any case, what is important is that by the end of the XNUMXth century Bern was de facto a completely independent city-state within the Holy Roman Empire.

In 1323, the citizens of Bern entered into an alliance with the Forest cantons of Uri, Schwyz and Unterwalden, which did not please the neighboring city of Fribourg and the Burgundian feudal lords. In 1339, in alliance with Friborg, they recruited an army of 17 men and 000 mounted men-at-arms under the command of Rudolf von Nidau ​​and Gerard de Valengen and moved these forces to Berne.

The city asked for help from its allies in the Swiss Confederation, but managed to gather only 6 people from Bern, Uri, Schwyz, Unterwalden and a few other cities.


It turns out that the roof of the “house” above the breech of the gun rose and served as a gun shield. That's how long ago they appeared!

When the army of Friborg laid siege to the Bernese border town of Laupen, the combined army of the Swiss cantons moved towards the city in order to lift the siege. Although the Bernese troops were outnumbered by the enemy, they were well armed and motivated, which the enemy infantry could not boast of. In the decisive battle at the walls of Laupin, the army of Friborg was defeated, which strengthened the position of Bern and their relations with the Forest cantons.


Swiss infantry repels the attack of mounted men-at-arms with spears and halberds

Already in 1353, he became a full member of the Old Swiss Confederation, after which throughout the 1536th century the city was only engaged in expanding its sphere of influence, conquering and annexing more and more new territories. As a result, in XNUMX Bern became the most powerful Protestant city-republic north of the Alps, and later the capital of Switzerland.

But here we see that the horsemen of the opposing side fled as soon as they saw the approaching Swiss!


Siege of the city. Along with bombards, trebuchets are also used...


This fragment of a miniature from Schilling's chronicle shows the Swiss going on a campaign in close-up. Interestingly, the shooters are armed not only with their firearms, but also with axes (at least one shooter). Moreover, almost all the warriors are dressed in full knightly armor, although clearly lightweight helmets of the “pamel de fer” type. Salad on the head of only one shooter in the center. One of the crossbowmen, as well as both flute players, do not have armor, although the second crossbowman, again, is dressed in full armor and an “iron hat”


Another siege scene. A powerful bombard rests against a massive wooden beam, which in turn rests against a thick log buried in the ground. Firearms shooters, again, fire from behind wooden cover. The crossbowman cocks the crossbow bow using a “Nuremberg crank”, that is, by the time the chronicle was written, this mechanism was already known and widespread. The consequences of a stone ball hitting the wall are clearly visible. The wall itself has not been broken through, but is so destroyed that one or two more hits like this and it will collapse


A very interesting miniature. On it, in addition to depicting Swiss infantry with pikes, halberds, and firearms, we also see mounted crossbowmen shooting lighted arrows at the city. Moreover, the arrows are equipped with special charges with a flammable substance!


"Fight for the Banner." Interestingly, in the hand of the opponent of the Bernese one can see a characteristic two-handed Swiss saber, known as a schnepfer. It acquired its distinctive slight curve only at the beginning of the 16th century, so this is another proof that, although the miniatures depict events of the 14th century, the artist who painted them conveyed in them what he saw a little later, namely already in the end of the 15th century!


And again the Bernese army sets out on a campaign. Moreover, all the warriors, both men-at-arms with spears and halberds, and riflemen, are dressed in some kind of uniform - armored caftans with an embroidered image of a bear on the chest and on the back. It’s interesting that such attire in images of that time is very rare! And even among the drawings on the miniatures in the same chronicle!

Thus, Schilling's Berne Chronicle gives us a comprehensive picture of how the soldiers of the Swiss city of Bern and the Swiss in general were dressed, armed and fought in the last decades of the 15th century.

* In addition to this work, he also compiled the “Great Burgundian Chronicle” (another name for the “Zurich Schilling”), written by him in 1484, and he is also the author of the “Spitz Schilling”, which dates back to the 1480s. That is, Diebold Schilling was an exceptionally fruitful chronicler.
29 comments
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  1. +8
    April 7 2024 07: 28
    An article with a lot of illustrations is a balm for the soul!..
    1. +7
      April 7 2024 08: 49
      . An article with a lot of illustrations is a balm for the soul!..


      Oh, how I support you, dear colleague! hi )))
      Medieval miniatures are my weakness, looking at one of them, I got stuck in time, I’ll write down my impressions later, but for now I hasten to express my gratitude to Vyacheslav Olegovich - God bless you!
      Good morning and good day to all of us! )))
      1. +4
        April 7 2024 08: 56
        Thanks for your kind words!
      2. +4
        April 7 2024 11: 50
        Quote: depressant
        Medieval miniature is my weakness

        The funny thing is that as a child, having a lot of old history textbooks at home, I was, one might say, surrounded by drawings from miniatures and their copies. But... I didn’t like them then, they seemed wretched and primitive. Another thing is the drawings of contemporary artists in history textbooks for grades 4,5,6!!!
        1. +4
          April 7 2024 13: 41
          Vyacheslav Olegovich, I remember these drawings. We had a conversation here on some topic, and it was accompanied by drawings from textbooks - real works of art. I then became extremely interested in what was being done in literature for children in general in this regard, and discovered the outstanding Ukrainian illustrator Vladislav Erko, winner of many international awards. The illustrations of this master are true masterpieces. Each drawing is replete with so many details that it can be looked at indefinitely, and all these details, harmoniously intertwined with each other, create that very rare feeling that we are looking for in real life and almost never find - heavenly magic...
          So, I took an old edition of the Strugatskys from the shelf, there is also one of my favorites - “The Path to Amalthea”. I opened it, leafed through it and thought that the wretchedness of the illustrations drawn with a pen is more than compensated by the immersion in the desired era. The Strugatskys knew how to do this - immerse the reader headlong, so much so that they didn’t even want to come up! Diving into and leaving the atmosphere of Jupiter seemed much more attractive than reality, and it was possible to display this state illustratively. However - ink and pen, simple strokes that reflect the action, and not its meaning. It was time to save money.
          1. +2
            April 7 2024 15: 39
            Quote: depressant
            It was time to save money.

            Yes, Lyudmila Yakovlevna! Nowadays good illustrations for books are terribly expensive. There are master artists - yes. But... who will pay them for good work and who will buy such books en masse? No, it’s better to buy mine with photographs of the author or “public domain” photos!
            1. +2
              April 8 2024 12: 43
              Quote: kalibr
              Nowadays good illustrations for books are terribly expensive. There are master artists - yes.

              It’s just that sometimes they draw such wild things.... what
              1. 0
                April 8 2024 14: 58
                Quote: Senior Sailor
                sometimes this is crazy

                Bad people draw game. There are 80% of them!
  2. +1
    April 7 2024 07: 44
    Thanks Vyacheslav Olegovich!
    Somehow the Official Chronicle of Bern passed me by.
    hi
  3. +3
    April 7 2024 08: 23
    Interestingly, in the hand of the opponent of the Bernese one can see a characteristic two-handed Swiss saber, known as a schnepfer.
    This is not a schnipper that will appear on the battlefields a century later. In my opinion, this is a very common grandmaster at that time, as indicated by the characteristic one-sided tide of the head of the sword handle.
    Thank you, Vyacheslav Olegovich!
    1. +5
      April 7 2024 11: 05
      I would also clarify that this is a Kriegsmesser - the longest of the entire family of bladed weapons, known under the name messer. Unlike the one-handed Großes Messer, the Kriegsmesser is two-handed.
  4. +2
    April 7 2024 09: 04
    Good morning everybody! hi

    Vyacheslav Olegovich, thank you very much for the article! I really liked the illustrations from The Schilling Chronicle. Have a nice day! hi
  5. +5
    April 7 2024 10: 49
    It is worth noting that the Swiss mercenaries were complete scumbags, they were not taken prisoner for this, so they did not surrender.
  6. +6
    April 7 2024 10: 58
    What exactly caught my attention about the miniatures of The Schilling Chronicle? For the first time, it is clearly visible that the artist (or artists) fully understood already in those distant times what, if not aerial, then geometric perspective was.
    Here, for example, is the miniature “Battle for the Banner” that I especially liked. In the foreground there is a fierce battle, one fighter snatches the banner from the enemy, he tries to hold it by the pole, behind him the fighter even jumps, grabbing the banner, and behind the picture of an intense clash is an incredibly sweet idyllic landscape with a winding road leading to top of the hill. Closer to the viewer on the road is a fighter, difficult to distinguish due to the distance, kneeling down to fire a shot, and among the distant trees is an even less distinguishable and very small fighter (I found him with a magnifying glass). And this whole picture is geometrically correct! But it conflicts with the need to focus the viewer’s attention on the opposing troops. Therefore, the helmets of the soldiers of the formation occupying a position along the foot of the hill and, obviously, behind the hill itself are almost the same size as in the foreground - this is the main thing that the viewer should see, namely the power of the army. The troops on the right are small compared to the "helmets", even the horses look like toys - the enemy? )))
    These are the artistic rules dictated by the ideology of the design.
    1. +2
      April 7 2024 11: 37
      For the first time it is clearly visible
      Not for the first time, Lyudmila Yakovlevna. By the time the Schilling Chronicle was created, the Limburg brothers, the founders of this style in miniature, had already died 60-70 years ago.
      1. +2
        April 7 2024 12: 48
        . the Limburg brothers, the founders of this style in miniature

        Good afternoon, Anton! )))
        I meant - it’s obvious to me for the first time, I just felt the difference, and I’m grateful to you for the information about the Limburg brothers, thank you!
  7. +5
    April 7 2024 12: 04
    The images are beautiful and describe these medieval battles well, many of them are unpublished, even if you search the Internet you will not find them. It is then true that today the Swiss are completely calm, but they once fought against their neighbors, there is evidence of fortifications here in Northern Italy to protect against their invasions.
  8. +4
    April 7 2024 12: 39
    Or, let's say, the last miniature presented in the article. Not every modern person can so accurately depict the geometry of the walls of a medieval city - walls that seem to descend along the slope of a hill away from the viewer.
    And something amused me, namely - look how stern, courageous warriors put their feet in a ballet manner (I just want to say “legs”)! The socks are so tugging! )))
    We once had a conversation about medieval shoes, but we didn’t really clarify the question of why they, the early medieval ones, walked like that. It was decided that it would not work out differently in punts. And this is far from the reason.
    Many of us have seen ancient pavements - some in photographs, some know from videos, and some have walked on them themselves. These are the ones - well polished, smooth, right? And do you think it has always been like this? Let's say, the same Appian Way - do you think the legionnaires had time to polish those stones? Properly, in compliance with the Roman technologies of that time, they threw 4-5 layers of crushed stone and sand, on top - large stones fitted to each other, and - forward, with a drill song, polish them with their own feet, as well as with the feet of all grateful passers-by and passers-by ... This is how it was in the early Middle Ages. They somehow trimmed the stones, brought them closer together, laid them on the pavement, and the fact that there were sharp protrusions on the stones was the concern of the townspeople, let them watch their step!
    They, poor fellows, watched. And they were also careful not to step on shards of broken glass thrown out of windows, sharp pieces of wood chips, etc., and therefore, I think, the contents of a chamber pot spilled onto the pavement was not the biggest problem for a walking city dweller. Perhaps the one who walked barefoot (and there were many of them!). Due to the peculiarities of the dangerous road layers, people, even those wearing shoes of that time, which were extremely vulnerable in terms of the ability to pierce, developed this kind of gait from childhood - stretch your leg as far as possible, feel with your toe what is there under the layer of water, liquid mud and debris. I can hear a medieval mother angrily saying to her child: “How are you positioning your legs?!?”
    It’s easy and simple for us; our shoes have a sole strong enough to step first on the heel, then on the toe, conveniently distributing the center of gravity of the body. And it was only in the late Renaissance that such shoes began to appear en masse, which, by the way, were excellent. But this was still far away, and secular ladies in wooden shoes, which were hidden from disapproving clerical glances under their skirts, did not make a difference - the pavements and roads of the early Middle Ages were polished by the feet of ordinary townspeople. I can imagine how many injuries there were, how much blood was shed and curses spewed before the time when good soles, heels finally appeared and, as a result, bringing a person’s gait to its current version.
    I have personal experience of non-compliance with medieval conditions. In the 90s, while wearing flip-flops, I stepped on a piece of glass. A sea of ​​blood, the scar stopped hurting only recently. My sympathy to all the departed generations of that era! Guys, I remember about you.
    1. +6
      April 7 2024 13: 39
      They were also careful not to step on shards of broken glass thrown out of the windows.

      Lyudmila Yakovlevna, you are falling into an anachronism. In medieval Europe, glass products were a luxury item, unavailable to ordinary people. And you have shards of glass lying around the streets. In England, window glass began to be produced in the 17th century.
      1. +3
        April 7 2024 14: 04
        . In medieval Europe, glassware was a luxury item, inaccessible to ordinary people.

        Why nakedness? Wealthy townspeople, of whom there were many.
        Victor Nikolaevich, good day to you! )))
        Well, you are a bore! wassat )))
        Sheet glass was produced in Ancient Rome - what do you think they used to glaze their three-story buildings? Not bullish bubbles! Yes, now they are surprised - they say, how did they do it, where did their skills go? But that's where they went, to hell - through the ruination of the empire, there is a rule...
        And objects of “glass luxury” in the early Middle Ages - yes, they were passed on from generation to generation, but I came across the opinion that glass vessels were produced even then and they were still not so rare and after all, they were once broken to an unstickable, non-prestigious state, the fragments ended up on the street - where else! Are there many entire medieval glass artifacts in museums? They broke, glass, wars, hmm...
        As for simple kitchen ceramics of the “clay pot” category, I believe there were countless numbers produced and just as many broken ones. And the corners of the broken ceramics are so sharp! )))
        1. +4
          April 7 2024 14: 20
          Are there many entire medieval glass artifacts in museums?

          Enough. Somehow I even had a chance to visit the glass museum in the small German town of Wertheim.
        2. +2
          April 7 2024 14: 23
          Sheet glass was produced in ancient Rome

          You should have seen that glass.
          1. +3
            April 7 2024 14: 57
            . You should have seen that glass.


            But I don’t need to see him or even do anything through him. The Romans saw through it - at least the light. And then I looked at my kitchen window - oh, after winter I’ll soon have to wash it - they reminded me! wassat )))
            1. +4
              April 7 2024 15: 46
              Quote: depressant
              The Romans saw through it - at least the light.

              In Crete, daughter, in Cyprus, we all saw a lot of glassware (the Museum of Archeology in Larnaca) dating back to the times of Mycenae and Magna Graecia - oh, what bottles for perfumes and ointments. Then in Zara, in Croatia, also in some museum they saw a lot of Roman glass... Muddy... Yes.
              1. +1
                April 8 2024 11: 30
                Perhaps it was not always cloudy; glass is an amorphous material and changes structure over time.
        3. +4
          April 7 2024 15: 43
          Quote: depressant
          How did they glaze their three-story buildings?

          Now I’m just preparing material about insulins and making another layout for school. I have already reached the tiled roof. And... he put glass in the windows. Yes! There were houses without them, but there were also with glass.
    2. +2
      April 7 2024 17: 34
      Quote: depressant
      In the 90s, while wearing flip-flops, I stepped on a piece of glass. A sea of ​​blood, the scar stopped hurting only recently.

      As a child in Turkmenistan, we ran barefoot. They could easily walk on broken glass. What is guaranteed to pierce the sole is a camel thorn. wink
      1. +2
        April 7 2024 17: 57
        . They could easily walk on broken glass.


        Broken glass comes in different forms. She walked along the backyard of the house, earth, grass. As my own investigation showed, over time, the broken bottle seemed to be dug into the soil - due to rain and sediment, a long point, which I had not noticed, stuck up, which I safely stepped on. Well, you know what a bottle “rose” is - a very dangerous bladed weapon that can be made right away, as long as the bottle is at hand, and something solid next to it. For example, the corner of a house. This is a sign of the 90s.
        1. +2
          April 7 2024 18: 27
          Quote: depressant
          Broken glass comes in different forms.

          I don't argue at all. "Rosochka" is a rose. In principle, you can cut yourself on paper.
          Just remembered. I still don’t understand how camels chew that thorn. wink
          Even then, a tea rose cost 5 kopecks at the market.
          War verse:
          "There are three holes in the world,
          Termez, Kushka and Mary..." wink