Just... "something heavy on a stick"
A picture from my favorite book as a child, "The Fight for Fire" by J. Roni Sr. Nao beats red dwarfs with his club. True, it is worth considering what it was like for him to travel with her in search of fire. And also carry a spear, an ax, a supply of meat and a basket with fire! Although, perhaps, he just didn’t carry it (later), but was content with the stones of the Wa tribe?
"Fight for fire" J. Roni Sr.
History weapons. Once, in my early childhood, I didn’t go to school yet, I happened to watch a strange semi-cartoon semi-fiction film in which a lazy schoolboy contacts a certain magical creature called “Now” (and he very often pronounces his name, here he is to him and comes!), and he drags him on time travel. A very funny movie. And from there I took out an instructive phrase that "a pointed stone and a club were the first tools of ancient man". Screwed it later in the lesson in the fifth grade and received praise. And since then, this phrase has been spinning in my head. However, progress is progress. Therefore, I wanted to see what the development of these ancient tools of labor and war resulted in?
There were different clubs in different books. For example, in the text “Struggle for Fire”, the eldest Son of the Bison Agu had three knots on his club. And in this illustration, the artist painted it just like that
And it resulted in such a percussion weapon as a club, mace or mace. And today we will get acquainted with all this tooth-and bone-crushing arsenal.
Let's start with the fact that, judging by the data we have, it was the mace that was perhaps the most important, not counting the spear, percussion weapon of the ancient Egyptians. On the "Palette of Narmer" it is in the hands of ... Pharaoh Narmer; Prince Jaffa, who showed immoderate curiosity for the mace of Pharaoh Thutmose, it was with the mace of Thutmose that they killed.
But besides the images, the finds of the pommel have come down to us, both in Egypt and beyond.
Here, for example, is a copy of a mace from Egypt. Middle Kingdom. XII dynasty. OK. 1981-1802 BC e. Probably from Meir, Uhhotep's tomb. Length 54,5 cm. Metropolitan Museum of Art, New York
Mace head from Cyprus. gabbro stone. Early Bronze Age. OK. 2500-1900 BC e. Dimensions: height 5,7 cm; diameter 6 cm. Metropolitan Museum of Art, New York
Quite early, judging by the finds from the Borodino treasure, many tops served decorative rather than actual combat purposes. And the maces themselves with carved stone tops, as well as axes made of ornamental types of stone, were not weapons, but signs of power!
Borodino treasure. Serpentine clubs. Photo © GIM
With the onset of the Bronze Age, many pommels appeared, made by casting in the "lost form". For example, in the same Cyprus, which was the center of copper mining at that time, they are found quite often.
Bronze pommel. Cyprus. XNUMXth century BC e. The ribbed shape of the pommel is much less common than the cylindrical, scepter type. It is not known whether such maces were used as symbols of power by local rulers or by people who controlled the metallurgical resources and industry of the island. Metropolitan Museum of Art, New York
A typical copper pommel of an Inca mace. Diameter 10 cm. Metropolitan Museum of Art, New York
In North America, maces among the Indians were also very common, but they were arranged differently than in South ...
Mace of the Indians of the Great Lakes, XVIII century. Such a "club" with a ball at the end was a formidable weapon in the hands of an Indian warrior. Moreover, sometimes it was cut out so that it was tightly squeezed into the mouth of some animal, for example, an otter, and feathers were also tied above the handle to increase the supernatural power of such a weapon. Well, you can’t even talk about a sharp metal spike: nothing good was expected from such a “club” who fell under the blow. But the Dakota Indians, unlike other tribes, used a flexible club with a wicker handle - this was their tribal weapon. Metropolitan Museum of Art, New York
Researchers of this weapon note that the elegant and deadly ball-headed maces combine both sheer refinement of form and awesome efficiency in use. The Indians used them for more than two to three hundred years, both in the northeast and in the Great Lakes region. Some of them are depicted in portraits of prominent Indian leaders, and it is precisely in the XNUMXth century. By the XNUMXth century, they had become obsolete as pipe tomahawks were favored.
Ceremonial club of the Indians of the Great Plains, c. 1900 Stone-headed war clubs of this common type were used by Native Americans for hundreds of years in the western plains from the Dakotas to Texas. This club is notable for multi-colored beads that cover the entire handle. Although the same clubs were intended for use in combat, this example served only for ceremonial purposes. Dimensions: length 94,6 cm; width 18,4 cm. Weight 776 g. Metropolitan Museum of Art, New York
In the Middle Ages in Europe, the mace became the weapon of the knights, and very soon its warhead turned from a spherical into a lamellar one, that is, now it was already the so-called shestoper. We see it on many medieval miniatures and even in knightly coats of arms. For example, three silver six-pointers adorned the azure armorial shield of the knight and minnesinger Konrad Schenke von Limpurg (before 1249 - after 1286).
The knights of many medieval initials - capital letters - are armed with a very similar ...
The letters are different - one shestoper!
Mace on Turkish utensils 1200-1268 similar to these samples just "one to one". Metropolitan Museum of Art, New York
Exactly the same shestoper is also found on the miniature from the manuscript "The Ancient History of Julius Caesar", dating from 1325-1350. British Library, London
However, after a hundred years, this weapon became not only ... a weapon, but also turned into a real work of blacksmithing art. Here, for example, is a six-pointer from the Wallace Collection:
Mace in the German "Gothic" style, with six small flanges, each of which is elongated at an acute angle and pierced with shamrocks. The head is topped with a copper alloy cap. The handle is hexagonal, each plane is inlaid with a strip of copper alloy. The handle is round, covered with a cord and leather straps, and is also protected by a flat steel guard of a hexagonal shape; a round disk at the end is fixed with a copper alloy rosette. Southern Germany, ca. 1470 Materials: steel, copper alloy, cord and leather. Length 39,5 cm, from the guard. Weight 1,24 kg. Wallace Collection, London
It's a fantastically beautiful six-bladed mace with curly edges and pointed protrusions in the middle, crowned with a pyramidal knob. The end knob, edges, reinforced ends of the flanges and the lower tip of the head are gilded. The octagonal handle of polished steel is adorned with two small shields in low relief, engraved with a quatrefoil cross on one and the Latin letters SPQR (Senatus Populusque Romanus) on the other. There is a hole for a cord or strap. The surface of the handle is covered with a diamond-shaped relief pattern, the end is spirally corrugated, with stripes of gilding. Northern Italy, ca. 1550. Length 65,5 cm. Weight 1,5 kg. Wallace Collection, London
Quite a simple combat shestoper. OK. 1540 Italy. Length 63,5 cm. Weight 1,47 kg. Wallace Collection, London
They tried to increase the impact force of the mace (and not without success!) By equipping its head with sharp spikes. Usually it was done like this: holes for spikes were drilled in a hollow spherical top, then they were inserted into them, and the inner cavity of the sphere was filled with lead - it turned out to be both hard and strong, and easy to repair. But it was the weapon of poor warriors, because the nobility had their own spiked maces. Well, let's say they are:
Mace with a spherical head, seated with twenty-two square spikes; tubular handle with two pads near the head; a handle of almost square section, protected by a small rondel, under which a hole for a lanyard is made; the handle has a conical pommel with a small "button". The pommel, top of the hilt, and hilt are elaborately decorated with C-shaped volutes, with fine arabesques plated in gold and silver, against a brown background; on the head are seven oval panels with edges inlaid with silver "pearls" or dots and containing figures representing Music, Glory, Venus and Cupid. A hilt with three panels of the same decoration and a hilt with four figures: Mars, Hercules, Diana and Flora, carved in low relief. The central part of the handle has a vertical strip of gold. Northern Italian (Milanese work) of the second half of the 48th century. Length 1,54 cm. Weight XNUMX kg. Wallace Collection, London
When I read Firdowsi's Shah-nameh for the first time, I was struck by the epithet for Rustam's mace - "bull-headed". But since there were plenty of colorful epithets, I didn’t pay attention to it until I saw this ...
Mace with bull's head. Heroes of the Shah-name (Book of Kings), the epic of the poet Ferdowsi about pre-Islamic Iran, completed in 1010, were armed with similar weapons. The mace reproduces the weapon of the hero Bahram, made in memory of the cow that fed him. The emblem of strength and goodness was inherited by other heroes of the epic, in particular Feridun and Rustam. A very clear example of the revival of ancient Iranian images. Moreover, even the fake signature of the legendary blacksmith Haji Abbas was made on the mace and the equally fake date of 951 AH (1544-1545) was put. Materials: steel, gold. Production time: XIX century. Length 82,6 cm. Weight 879 g. Metropolitan Museum of Art, New York
Indian maces were very different from European ones. Firstly, many had a guard on the handle, similar to a saber, and were two-handed, and secondly, by their design: it was very intricate. Museum in Delhi. Photo by S. Samodurova
Well, very often in the XV-XVI centuries. the mace served as a symbol of military leadership. Therefore, both the mace and the mace tried to decorate richer.
For example, here is what the six-pointer of King Henry II of France looked like, around 1540. This mace depicts the emblems and mottos of Henry II (r. 1547-1559), as well as the signature of the Spanish gunsmith Diego de Chayas, who worked at the French court with 1535 to 1542, and then in England at the court of Henry VIII. Length 60,9 cm. Weight 1,588 kg. Metropolitan Museum of Art, New York
The pommel of the six-blade of King Henry II of France. Metropolitan Museum of Art, New York
It appears to have been made for Henry between the time he became dauphin in 1539 and de Chayas's departure for England in 1542. Tiny multi-figured battle scenes made of gold and silver were just very characteristic of the work of this master.
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