Exhibition “Russia” at VDNKh – personal impression

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Exhibition “Russia” at VDNKh – personal impression

I had been planning to visit the “Russia” exhibition for a long time, and now I finally made it out. Almost six hours of viewing the exhibition - I won’t say that it’s downright meticulous, but I think this is more or less enough to allow us to highlight the strengths and weaknesses of this event.

Entry


I expected this to be a PR event, the purpose of which would be primarily to impress the public with tricks, colors and scale more than with content.



However, I was pleasantly surprised by both the abundance of the audience (on a weekday), its gender and age diversity, and the generally positive and relaxing, I would even say, sometimes informal, mood, which turned out to be quite unusual for events in recent years in Moscow.

I started writing the article after the first run, but then I realized that it was worth giving such a large-scale event a second chance and more coverage, and I had to do a second run, during which a lot of things were thoroughly reworked and overall it came out somehow lighter, or something... .

But in order: in my opinion, what was good and what was not so good.

Of the minuses


I would highlight one of the problems of the exhibition as a rather, um, complicated system of numbering and arrangement of exhibitions.

It turned out to be not so easy to find these exhibitions at the exhibition - they are located both inside prefabricated structures (quite convenient for this format, by the way), and inside stationary pavilions - and often there is nothing on the pavilion indicating that there is an element of the exhibition " exhibition”, rather than its classic filling or restaurant.

If I were the organizers, I would have worked on the issue of signage stands and the design and size of identification marks on objects, so that it would be expressive and visible from afar.

Generally speaking, it would be possible to use the potential of laser or conventional paint-based advertising on asphalt - this would also be a very fresh and useful solution for such a large event.

It was not so easy to understand the boundaries and extent of the current exhibition on the ground - there is some confusion with the location of some exhibitions among others, not always, let’s say, connected.

For example, I found a small stand of Rosrezerv at the “Sports and Family” exhibition, while the VDNH website swore that there would be almost a separate pavilion on this topic. But it really doesn’t matter – it’s a very, very nice little exhibition with positive, helpful people.

Another problematic point - although I understand that times are crazy now, this is the security organization. It’s worth speaking separately here.

The key problem of the security organization


I was amused by three-meter wooden stepladders with people sitting on them armed with megaphones. I don’t know what contribution this makes to real security - it will be very interesting to listen to the opinions of those readers who have also been and seen it.

The organization of security inside the expositions seemed somewhat strange to me - in each pavilion or exposition (even in fairly small ones, such as the VKontakte exposition) there was a separate metal detector and several security officers at the entrance, and each time everything, as they say, was new.

Instead of giving those watching the expo some kind of bracelet tickets at the entrance and scanning them with their belongings there - and then simply letting them pass between exhibitions with a minimum of security forces, they stupidly installed metal detectors in each exhibition object.

That is, if you are with a backpack or a camera - in each exposure you will have to remove the backpack and the camera, pass it through the conveyor, take out the keys, complain to the guards about the adamantium skeleton and the abundance of piercings in different parts of the body - and I’ll tell you honestly, this is my first time The trip was somewhat spoiled by the fact that I took a DSLR and a bag for it.

However, all this in no way detracts from the service of the people who ensure security itself - thanks to them for that! But in some places there is still a feeling that it could have been organized more conveniently and at lower costs - for example, by better grouping the exhibition zones.

Back to the cons


Some zones seemed to me to be deprived of the attention of the organizers, I will mention this below, others, on the contrary, could have been decorated beautifully and with good guides - but, alas, their actual content was simply incredibly boring or insignificant. Sometimes these voids in large pavilions could strongly contrast with the filled areas. Not all exhibitors approached it with zest and enthusiasm!

Let my readers not think that my goal is to criticize this event in any way; in the pluses, I will definitely mention the positives - but in the minus section, I simply have to say that sparkling LCD displays, no matter how you bend them or where you shove them, do not make sense on their own.



The light-display tunnel at the beginning of the exhibition is really beautiful, perhaps a provincial resident would be much more impressed by this than me, I personally was simply impressed.

However, later this trick with an abundance of large screens hiding, in general, sometimes a very meager essence, was repeated several times, and this was somewhat overdone. In some places it was possible to get away with a good old stand; by the way, a number of exhibition authors very elegantly and creatively approached the use of projectors instead of LCDs, for which many thanks to them!


The “Made by Us” pavilion has a very strong and beautiful exhibition, but the organizers missed some things at the very beginning: a large area is occupied by the “Heart of Russian Industry” installation, which cannot do anything other than beat – however, its very presence does not fit very well into the the adjacent installation is a corridor with screens on which various Russian scientists of the past, performed by actors, talk about their contributions and inventions.

To be honest, there is a congestion in this corridor because you need to stand in certain places in front of the screen to hear the sound, and the main stream of people is literally rushing through you, mothers with strollers or small children, school excursions and just large people. They also poke you in the back with phones, because otherwise you can’t take a picture of the screen in the corridor.


Not very convenient, in short. But my first visit hurt my eyes quite a bit - I can’t imagine what’s going on in this zone on the weekend.

A certain problem with the entire exhibition is the lack of high-quality standardization of explanations for exhibits and equipment. Simple red and white frames with black contrasting text are no longer “ice”, and yes, maybe someone will say that I am being critical, but for older people this is quite inconvenient.

The purpose of some objects is not indicated at all or is minimal - thanks to the wonderful and friendly guides who were nearby and clarified this or that question.

It was often very difficult to understand what they were about inside the exhibitions, and the lack of clear and noticeable signs was not the biggest problem.


In one of the pavilions I came across an exhibition, which at first I took for an exhibition of vapes or tourist services - it was such a semi-cave space with beautiful, relaxing lighting, artificial plants climbing near the ceiling, ottomans in the corners (some people with books were actually relaxing there or phones in an embrace), however, the charming girl caretaker surprised me a lot by saying that this was an exposition of the Ensky metallurgical plant. That time when you think you're being trolled, but you're not.

It’s a shame to say - but even my inquisitive mind could not find absolutely nothing inside connecting the contents with metallurgy. Perhaps I didn't search well.

The curators of a number of exhibitions could not explain to me more or less clearly what was there, what it was about and why. And there were no hints in the content.

But I suspect that this is not their fault - this is, in principle, an organizational and semantic problem. For what purposes something is being shown and to whom, it was just as difficult to understand in some places.

Sometimes there was a feeling that you should somehow see it from the edge, marvel, notice the nameplate or brand logo (which, by the way, is not always far away) and diffuse further with a stable feeling of abundance in the loins.

Exhibitions with more or less substantive and interesting content are critically poorly saturated with caretakers who can tell anything about it. At least, taking into account the significant numbers and interest of people.


For example, next to the stand demonstrating neural interface technologies, robotic manipulation of micro-drone (the copter, offhand, has the diameter of the cut of a small orange), there was not a single person who could tell me at least a little about who has been doing this, for how long, and answer a few more simple questions.

This extremely interesting stand simply stood at the junction of the tourist exposition of some sanatorium and stands for checking blood pressure, vision and heartbeat, and above it hung a rather large LCD, playing extremely uninformative demonstration videos on the contents of the stand.

It would seem that this is the future, some details of our promising directions - but, as in that meme with the anteater: “Go away, there’s nothing to see here.”

A row of space was occupied by sales and something hard-won and trivial (but some people liked it, so this may be subjective).

In the VKontakte pavilion, I found a lot of excellent and positive people who created a cozy atmosphere, but in the contents, except for a small bench, I remembered absolutely nothing, except for the abundance of LCDs and figurines at the entrance.


The two lower floors of the Atom pavilion were basically packed with nothing. Literally.

Although below I will note the rather strong aesthetics of the pavilion itself inside and even these two empty zones - but the semantic content contrasts sharply with the available space.

Prices at VDNKh. There is so much pain and heaviness in these three words - everything is bad and very bad with prices. Pies and tea for 200-250 will be in my nightmares for a long time. But there was a pleasant exception - more about it below.

Of the benefits


The main advantage is that it is bright, stylish in places, and the soundtrack is often chosen to suit the images.


The visual itself sometimes deserves special praise - for example, the 360-degree cinema in “Made by Us” is definitely worth a visit; in addition to it, allusions to a similar approach occur a couple more times, and each time it is beautiful, atmospheric and appropriate.


There is also a book with folk crafts nearby – the exhibit is interesting (a projector fills the pages of the book depending on the numbering), and the guides tell interesting stories. The photo will not convey the feeling of how well executed this idea is!


Sometimes there were very beautiful and bright solutions for combining models and transparent LCDs - for example, I really remember the site where they showed two different methods of cleaning industrial air pollution.

The stands are very well made, demonstrating modern 3D design technologies; they also tell us quite well about our successes in this area and provide information about the developers of the software product within the country.

There are quite a few models (unfortunately, almost no mechanized ones) reproducing anything technical - to a person at least a little experienced in the fields, this may seem somewhat superficial, but from what I saw, the children really enjoyed looking at it all.

I liked the fact that a number of things inside “Made by Us” (mostly related to LCD installations with interactive content) had a fairly detailed performance characteristics description - turbines, solar panels, powerful windmills.


It warmed my soul that we were starting to produce this, although in a number of cases in the exhibitions the carts still ran a little ahead (the same MS-21 plane). Special thanks to the guides of this exhibition for their in-depth and motivated interest in their topic - it’s really great when a person can tell you in an interesting and detailed way, and you feel that he cares about it.


They were honored to set up booths with really cheap and tasty things for the event. Yes, they are mostly located not so far from the entrance (I found several in front of the Friendship of Peoples fountain) - but the prices there are pure communism, in principle, and something completely anomalous compared to the same prices at the VDNKh kiosks in particular.

The author takes off his hat to the one who came up with this (low prices) and pushed it - because for most of his adult life at such events he met only an undisguised “grabbing salesman” with Olympic prices for the most ordinary things.


People in the queues (small ones, by the way) got as much of a thrill from the price tags as from the entire exhibition. This is what life-giving belyash does for 30 rubles!

A separate point that I would like to especially note is the very pleasant and sincere service among most exhibition guides. Very nice, mostly people with a positive attitude and a desire to help somehow navigate the space of this blinking chaos.

The charming girls from “Made by Us” really brightened my day, it would be the height of indecency not to write about it!


I liked the exposition of UAVs and helicopters, very informative, with models, sensible guides and a list with photographs of products by model and production status. This kind of exhibition is really what you expect when you go to an exhibition, something you can look at and have something to ask about.

It was very pleasant and appropriate to have a variety of games - such as pinball or table tennis-football, many willingly played it, and it seemed normal that not everywhere these “board games” were in line with the theme of the exhibitions or pavilions.

Also, as I already noted at the very beginning, it was very comfortable to create a relaxing space throughout most of the exhibition - quite a lot of comfortable and beautifully decorated areas where you can lie down, sit down and relax and contemplate.

I was very impressed by two pavilions - the mechanical engineering exhibition (“Made by Us”) and “Atom.” But a number of other pavilions are no less interesting in terms of content - it’s just that there may be less expensive and rich content, but there will be cool small competitions and a lot of interesting things if you don’t hesitate to ask questions and don’t just fly by.


Specifically for Atom - the first floor. It was done well, although, of course, it was possible to bring in more samples related to the construction of nuclear power plants - samples of heavy-duty concrete, some kind of anti-radiation suits and gas masks, Geiger counters and similar meters that could captivate the average person.

The two lower floors of “Atom” mentioned above, although in fact they are strictly empty (in comparison with the first floor) areas, are decorated and filled quite comfortably, although extremely distant from the theme. The same ottomans and chill zones, board games, sales - many, as I noticed, felt extremely comfortable there, which was facilitated by bookshelves with books on pseudo-scientific topics.

In the Sports and Family pavilion, there was a rather pleasant competition at the Rosrezerv exposition, where you had to guess the contents of ten bags by touch - and yours truly won a small chocolate bar.

And next door I got hold of a commemorative coin from Rosimushchestvo, although I was unable to pull out a gold (and get a chocolate) bar from a box with a small hole.

Perhaps it would be great to organize more small competitions like this.

I liked the medical exposition in the “In the Service of Health” pavilion - however, its contents were somewhat chaotic, and it was not entirely clear what exactly its organizers wanted to demonstrate to visitors. Future or present?

Wonderful and, dare I say it, professional people working as guides of these exhibitions - if you are reading these lines, then thank you very much!

Indeed, you can learn a lot of useful facts if you just stay and talk to people and look at their small professional exhibitions.

I highly recommend visiting a friend with a couple of microscopes - especially if you are with children. Although here's a note to the organizers - they could have sent more different creepy bugs and somehow played it up in installation terms.

Next to the medical expositions, I received a powerful boost of exposure to useful information - there was a small lecture hall, and there was a rather intense lecture. I take my hat off to this wonderful woman for her incredibly detailed coverage of the topic of osteoporosis and everything connected with it - alas, I did not ask her name. I respect people who are professional in their fields and who are able to present high-quality content and are meticulous in delving into the topic. In fact, during my entire six-hour stay at the exhibition, this was the only lecture anywhere that I noticed.

On my second trip, to my great joy, I discovered that in this pavilion there were regular lectures and on quite interesting topics, however, unfortunately, and to the disadvantage of the organizers, there was no program at the entrance, at least for the next few days.
It’s sad that because of this, a full hall will not gather on rather interesting topics and with good speakers.

instead of an epilogue


Well, my impressions on the first and second runs were quite different. Perhaps this is a reason to summarize - you will not fly through the exhibition in one go without serious losses in studying its exhibits. But its main content is often not even in the objects - the main thing, besides them, is what it brings - this is the atmosphere and positivity, ladies and gentlemen. Positivity, a positive charge – the same one that is in some deficit today. So I strongly recommend it!

No, you most likely will not see what I wanted to see on my first visit - an image of the future, perhaps in some places you will see a somewhat idealized image of the present, but with the task of charging you with something a little irrationally positive, some kind of then aesthetics, the organizers succeeded quite well. Albeit not without some controversial issues.

But, let me emphasize again, don’t fly headlong. Savor it, sometimes find something interesting where, perhaps, the organizers themselves did not even think of leaving it.

And finally - Russian girls and women of any age, you are the best. You decorate any exhibition, even if there is no content at all.

PS


Charming stranger - thank you for the delicious search quest, and I hope you smile while reading these lines.

That's all I wanted to say. Sincerely yours, Knell.
27 comments
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  1. +13
    April 27 2024 05: 05
    Several times a year I go to VDNKh in Moscow.
    I go to the Belarus pavilion and
    to the shopping center pavilion to the left of the main entrance. Although it is outside the exhibition area.

    Good park area and bike paths. In the depths is a small zoo.

    Everything else creates the impression of a stupid, meaningless and costly show off. Because the real achievements of the national economy at VDNH
    They were shown only during the times of the USSR, when in fact there were real people and their economy.
    1. +2
      April 27 2024 10: 14
      Oh, I’ll have to take a look at Belarus sometime) I usually like BotSad better, VDNKh has become a lot of commerce, although the architecture is still thoroughly charged with aesthetics)
      I was interested to see if we had any clear image of the future and concept that the authorities want to project “down.” For the most part, I didn’t see this. Perhaps this was at the start of the exposition. But generally speaking there is a lot of interesting and positive things there, it’s definitely worth a look - but opinions may differ. The first version of my article was much more critical, so it’s a matter of accents of perception.
  2. +7
    April 27 2024 05: 26
    You know, I have an ambivalent attitude towards exhibitions, especially in difficult times. Thanks to the author for the interesting story, but unfortunately, visitors to the exhibition can only enjoy the tip of the iceberg, and look at the girls). As an ordinary person, let alone an exhibition, I can’t even afford to fly to Moscow without creating problems for myself in my budget. And as part of my work, I had to participate in various projects for such exhibitions. An example is the exhibition in Skolkovo, the manager brought down an absolutely rubbish idea from above, to create a technology for generating energy and heat from industrial waste, and gave us a week to more or less turn it into a realistic one, of course, all our main work aside, and let’s design, calculate, draw, and sculpt mock-ups until late in the evening. Well, a week later they gave everything away, some director flew off with the girls to present it all, returned happy and said that our project had created a sensation, they said we need to put it into production. We laughed for a long time, and then it became sad that no one understood that the project of our energy source was absolutely unrealistic. It’s just that no matter how much crap you throw into the stove, it won’t burn, well, it’s absolutely impossible. In fact, people were interested, they liked it, we were damn tired this week, we lost a whole week in work, which we had to catch up with as the quality deteriorated. Well, I remember the chief engineer Boris Konstantinovich who comes to me where he is at 22.15 and says: And you go home, and I’ll sit and think. And I arrive in the morning, I see that his car is parked in the same place, I understand that he hasn’t slept for a day....
    1. +5
      April 27 2024 10: 26
      Thanks for the detailed comment!)
      I expected a little different from "Russia", of course, but this is the case when I went to the garden to pick a cucumber and returned with an apple. Of course, the demonstration part of the component often dominates the information and semantic part. Questions arise about some parts of the exhibitions - and, as a rule, there is no one at such stands (well, or I was unlucky to find anyone there both times). There was mini-hydroponics, for example - but in general nothing was explained about it, how and to a stand with a neural interface and a microdrone (but at least there was an LCD). There was a stand with a line of domestic computers, mice, laptops, tablets, even two stands. At one, again, I didn’t find anyone who would answer for him and who could be tormented with questions, the second was in full swing with such fierce work and tense faces that it seemed to me that they were assembling these computers right there.

      For the most part, I learned interesting things from the guides (thanks again to them for this!) where they were.
      My impression is that much of the exhibition is designed to impress children and teenagers - and this can be interpreted in different ways.
      On the first visit, I assessed this as “somewhat shallow,” and on the second, as an outline of a desire to finally engage in the motivational part of the younger generation. I liked this better :-)
      1. +1
        April 27 2024 11: 48
        A double impression. This is my opinion. In the seventies and eighties, when I was in Moscow, I often went to VDNKh, there were very interesting pavilions. Now during the war it looks like an untimely parade, a feast during the plague. This should be done after the Victory with the obligatory demonstration of our achievements both at the front and in the rear
        1. +5
          April 27 2024 12: 03
          I agree with you, spending raises questions against the backdrop of ongoing volunteer collections for sick children and the needs of the front.
          However, I personally noticed one most important point, which somewhat compensates for the high expenses - the exhibition, nevertheless, creates some positivity. Now it’s hard and very hard to be positive - you turn on the news and a stream of “black stuff” comes at you, with an endless war, ever new restrictive laws, lawlessness of migrants, thickening clouds at the borders. There is stupidly NO positivity, no one cares that people need it, that this hopeless creeping crap is already causing complex rejection.

          And here it charges, after all. Now this is important, I think. We have forgotten how to smile, we have become saturated with some kind of bile, damn it...
        2. +4
          April 28 2024 22: 13
          .Now during the war it looks like an untimely parade, a feast during the plague. the only theater NOT evacuated from besieged Leningrad - Theater Operettas.
          There throughout the war.
          Because people, even in war or in besieged Leningrad, need a charge of hope and positivity.
          Actually, the author of the article writes exactly about this
          And here it charges, after all. Now this is important, I think. We have forgotten how to smile, we have become saturated with some kind of bile, damn it...
  3. +6
    April 27 2024 05: 30
    My granddaughter went as a volunteer for 2 weeks. I spent all my free time visiting exhibitions. I liked everything very much. My daughter and children went twice. Delighted with VDNKh
    1. +5
      April 27 2024 10: 28
      I think I'll take a look there again in May, because 6 hours of exploring there just flies by, I never really got to the rear areas of the exhibition. You definitely won’t be able to see everything there in one visit)))
  4. +5
    April 27 2024 06: 53
    We were there on January 13th, overall I liked it, I didn’t like it, just like the author, the location of the pavilions was not always clear, and there were large distances between them, so then we could barely crawl, more than fifteen thousand steps, a big problem for my knee. Now, if there were at least some mini shuttles it would be great. But the impressions are more positive!
    1. +3
      April 27 2024 10: 34
      Whoa! You highlighted a point that I missed. Indeed, the exhibition is more aimed at those under 60 - you can feel it in the little things. But, probably, this is, in principle, a problem with larger exhibitions and VDNKh in particular, very good. long distances. Perhaps there would be a problem with the shuttles because of communications - here and there you come across quite dense and wide accumulations of wires under rubberized things like tall speed bumps. It’s understandable - this LCD filling, computers and condos in temporary exhibitions consume a lot of energy. I don’t think it’s too pleasant to move over these accumulations in small wheeled vehicles.
      1. +1
        April 27 2024 12: 29
        Well, I’m under 60, but I had an injury and now this is bullshit, I walked from the Cosmos pavilion to the metro with three stops, protective trapezoidal covers from pedestrians, but if you wanted, you could do it with flat edges, especially since there are all some kind of service minibuses there we went anyway. The guards/volunteers were still uninformed, they asked where such and such an exhibition was located, the answer was go to the rocket and immediately behind it, they came to the skating rink. Moreover, we were not going to the Space pavilion because... it was closed, what they asked about was generally aside and not reaching Space, this was a little upsetting sad And yes, the work was carried out on a grand scale by today’s standards.
        1. +2
          April 27 2024 12: 40
          The guards/volunteers were still uninformed, they asked where such and such an exhibition was located, the answer was go to the rocket and immediately behind it, they came to the skating rink

          On Tuesday I had a lot of such situations, on Thursday it was completely different. I don’t know, maybe the stars have aligned differently, heh..
          With awareness, yes, there is some confusion. I wanted to strongly criticize this, then I cut it and left the general problem with lighting the purpose and location of objects.
          As one female volunteer told me, “There are a lot of us who have come here in large numbers, and sometimes it’s difficult to figure out where and what right away.” Well, let’s hope that in the future they will work on informing people and markings, but it’s hard for me to blame the volunteers - in fact, the organizers have taken a fairly significant scope. Maybe even too solid for the first round :-)
  5. -7
    April 27 2024 08: 58
    Window dressing of the lowest standard. Not even the USSR! There really isn’t anything to brag about, but there isn’t enough to decorate the head in an interesting way. It is significant that all means of visualization - solid imports - are now sanctioned. And they visualize wretchedness and feeblemindedness.
    Here are whites with potatoes and blueberry buns - this is really cheap and cheerful. And Ivan tea is very useful, especially for those who have problems with adenoma.
  6. +2
    April 27 2024 09: 08
    I’ll be honest, I haven’t been to the modern VDNKh. But I assume, with the possibility of being mistaken, that this is the same river that you cannot enter twice. Not only has the water in the river called the USSR flowed away irretrievably, but the river itself called the USSR does not exist, much less there is no national economy in today’s “river”. In classless Soviet society there was a national economy, and we still “haven’t matured” to call a capitalist the people’s master, although the prospect of calling him even the master of the people looms ahead. Well, for a capitalist to allow the people to call the capitalist’s economy a national economy, well, that doesn’t happen. So the word “National” in the title of this economic exhibition today, in my opinion, is somehow not appropriate. Maybe I'm wrong... Hence the unfulfilled hopes of those who visited this exhibition but understand what a national economy is
    1. +2
      April 27 2024 10: 45
      Yes, it’s impossible to compare even with VDNH of my distant childhood, but, as you know, in childhood the sun shone brighter and the chocolates were sweeter -) It’s probably more correct to look at “Russia” as an attempt to create something new, rather than an attempt on "William our Shakespeare".
      So at VDNKh itself they have been quietly exploiting all these mental images with the old, Soviet things for a long time. This was the style of the kiosks and the style of advertising - in cr. at least some time ago, about two years ago, when I was hanging out there thoroughly at some major event. There was precisely the exploitation of this old imperial swing - both in the pavilions and in the open air.

      I didn’t notice this specifically at this “Exhibition” - apparently they decided not to play the nostalgic stylistic card and launch their own. In terms of “general style” - there is none, or I didn’t notice it.
      That is, there is no this “Sochi 2012” - some stylistic unifying image. Neither the exploited old one, nor any new one. This seemed strange to me, but I couldn't decide whether it was good or bad.

      The event is great for charging you with positivity - if you want to charge yourself with it) But comparing it with the old VDNKh or Soviet events there is incorrect. Different things, different style. And time has already flown by...
      Basically at normal times There, these “pies for 250, mineral water 0.5 for 150” and some frivolous exhibitions that burst like the “Hermitage” for entry to them greatly spoil the overall impression. Or the same attractions - the price tag there is absolutely not "folk" as a rule. This time, such things have faded somewhat into the background.
      But, unfortunately, they are there - this is the main problem of VDNKh. The exhibition will end and the “grabbing shop” will most likely return to exploit human nostalgic notes...

      Well, I don't really like that either.
      1. +6
        April 27 2024 12: 13
        Quote: Knell Wardenheart

        The event is great for charging you with positivity - if you want to charge yourself with it) But comparing it with the old VDNKh or Soviet events there is incorrect. Different things, different style. And time has already flown by...
        .

        I remember the Soviet VDNKh, and the horror that happened there in the 90s. When they sold household appliances in the Cosmos pavilion. This style could be called “stable in the temple.” It was even cozy in the backyard, as it happens when you walk through majestic ruins or an old cemetery. But where “life was in full swing”, its seething made you feel nauseous. Now everything is different, and life is really in full swing in a positive way. And you are right - there is no hurry there.
        1. +1
          April 27 2024 12: 35
          It was even cozy in the backyard, as it happens when you walk through majestic ruins or an old cemetery

          We simply outlined the impressions of my childhood about the fragments of a bygone era good
      2. +1
        April 27 2024 13: 27
        Greetings! hi
        Well, you have diluted the information field with positivity. And this is good, because in general VDNKh had to be somehow brought to a new level. They cleaned it, put it in order externally, but still something else was needed. People also need shows, because not everyone is sad about the fate of the deceased USSR.
        There was never any doubt that everything would be on laser panels and a type of “virtual reality”. Back in the 2000-2010s, we had this theme with cartoon visualization among advertisers. They pulled everything from this series, and when our top people became involved in “digitalization and AI,” then everything was already clear.
        And I think that they will leave it for a long time and will not clean it up.
        1. +2
          April 27 2024 16: 39
          Good afternoon, Mikhail! In a word, LADIES approve lol It’s even strange that he didn’t show up there pathetically with his iPhone.
  7. BAI
    +2
    April 27 2024 14: 08
    I liked the Gazprom pavilion. And "Russian Cuisine" is next to it. Wine tasting at the farmstead.
    What surprised us most were the three-dimensional images on curved screens. Without stereo glasses
    1. +1
      April 27 2024 16: 38
      Yes, a number of visualizations there are quite skillfully done, there are installations for 3D images, and this is achieved in different ways. Definitely worth going there again)
  8. 0
    April 27 2024 21: 17
    This is what life-giving belyash does for 30 rubles!

    Did the author buy it or just look at the prices? It was at one of these kiosks that my wife bought these belyashi. The prices are certainly attractive, but there is practically nothing inside the mushrooms and chicken other than the aroma. There is no comparison with the Soviet belyash.
    1. +1
      April 27 2024 21: 25
      No, the author has long sworn off catering, I took some tea. The people nearby were gobbling up these whites and everyone seemed happy. The tea was like tea, well, of course, I’m not English, so even tea would seem like donkey urine to someone winked
    2. +1
      April 28 2024 22: 51
      There is no comparison with the Soviet belyash. - In 1987 he studied in Moscow. There was a dumpling shop on Trubnaya Square. A fellow student's mother worked there. After her stories, even knowing the peculiarities of Soviet food from my mother who works in the SES, I was very shocked and tried not to eat in Soviet public catering after that. Only in the institute canteen at work, and then only when necessary.
      Let me remind everyone who is kicking up about “natural and high-quality” that one of Crocodile’s favorite topics for cartoons was cooks with bags of food. Think about it - what was replaced with what was taken away?
      1. 0
        April 28 2024 23: 19
        Yes (Public catering is another story (They dragged and dragged, only now, in principle, the quality of the original product has already sagged due to some kind of MPMO or soy, so God knows what else you can pick up and add something like that..
        I would even say that the problem of composition has now faded somewhat into the background compared to the problem of absolutely insane gains on the simplest things. The fact that a year and a half ago I took conditionally 100 rubles - now it will be 200-250, and this is from large retailers, despite the fact that I am more than sure that the purchase price has not changed by 150% for them. All the faucets in terms of profit just went off - the capital's sweet dream began. And our government doesn’t seem to notice this - so, from time to time they boil over butter or sugar or eggs, but in other categories there is stupid darkness with fat.
        Of course, this goes further and conditionally the same “Tula gingerbread”, which already costs at least 33 rubles in the store (if you are just a hellishly lucky price hunter), is sold in a stall for 100-120 rubles.
        Camoon, 120 rubles for “dough”?! But it seems that no one really cares...
  9. +2
    2 May 2024 08: 22
    It is hardly worth talking specifically about the achievements of the national economy - this economy no longer belongs to the people, and what belongs to the people can best be observed in the apartments, garages and dachas of these very people.