The heirs of the leader Osceola: about medals and decorations
Split Oak with a medal on the chest. Frame from the movie "Chingachgook, the Big Serpent" (1967)
The shirt, cinched at the waist by a multicolored wampum belt,
fell in beautiful folds,
and her slender legs were covered with leggings of red cloth.
He was beautifully built
his figure seemed surprisingly proportionate.
He had a bandage on his head.
with three black ostrich feathers,
descending almost to the shoulders.
Various ornaments hung around the neck.
One of them attracted particular attention:
a round gold plate that hung on his chest.
Rays were engraved on the plate,
radii coming from the same center.
It was a picture of the rising sun.
Mine Reid "Oceola, Chief of the Seminoles"
Indians with and without tomahawks. The previous material about the headdresses of the Indians began with the author's childhood memories, however, today's material will not do without them either. And it so happened that in 1960 my mother bought the book "Oceola, the leader of the Seminoles" from the Detgiz series "Golden Frame" with beautiful illustrations by I. S. Kuskov.
This book was immediately read to me, and I literally fell ill with it, it made such a strong impression on me. Every drawing and every detail of the design of this book, starting with the bright yellow cover and the picture on it, aroused my admiration, and in particular, the decoration of three medals under its name. I learned from the book that it was Osceola's piece of jewelry that he gave to his white friend George Randolph so he wouldn't be killed by the Seminoles.
First of all, I decided to make myself the same headdress of three ostrich feathers that Osceola and the rascal Yellow Jack had. And here I was very lucky: in my grandmother's chest there was an ostrich boa made of black and white feathers, and in excellent condition. Since this decoration had already gone out of fashion in 1960, my grandmother helped me make the dress, and it was so beautiful that ... I did not dare to go out in it to my comrades.
The Indians, like the Japanese, were distinguished by a passion for all kinds of covers, which they tried to put on everything they could. Naturally, the Sacred Pipe could not do without a richly decorated case. Pictured is an Arapaho pipe case, 1885. National Museum of the American Indian, Washington
I was just shy, then we, the children, were all very shy and tried not to stand out in front of each other in particular. But already in front of the old dressing table, I jumped heartily in it all the way between the windows.
I also made an ornament of three medals from ... flattened caps from kefir. True, then it seemed to me ridiculous, not quite Indian. Whether it's a necklace of bear claws, described in the story of W. Schulz "The Son of the Navajo Tribe." And many, many years later, I learned that the Indians were very fond of medals and often used them as decorations!
So, today we continue the story about the Indian exoticism of the aboriginal inhabitants of distant North America.
Illustration from Osceola, Chief of the Seminoles, 1959 edition. Osceola's chest is decorated with medals...
Well, let's start, perhaps, with a very rare and nowhere else found decoration, which at the same time could serve as a shell, called "heapipe" or "hair tubes". They called them that because at first the "tubes" were inserted into the hair.
This decoration was made again by whites and sold to the Indians. Concha shells served as the material. They were also made of copper, even silver, but metal heapipes were not popular. Such jewelry appeared among the Indians in the early 1800s, and from the middle of the XNUMXth century they began to be made from drilled bones, and from that moment they reached their maximum popularity.
Heappipe of the Kiowa Indians. National Museum of the American Indian, Washington
Heappipe of the Wasco Indians, Oregon. National Museum of the American Indian, Washington
The device of this kind of decoration was very simple: tubes of bone drilled through were connected in several rows one to another. This decoration was worn around the neck and hung in front, covering the chest and stomach of the Indian. Moreover, it was not at all necessary for them to be located along the body, they could also go across, and the size could be very different, so that for some it hung down to the very knees. However, the heappipe was not only an ornament, but also served the Indian as a good defense, acting as a kind of cuirass! Sometimes they also attached metal pectorals made of cupronickel and silver, as well as ... large crosses!
Heapipe Osage with a cross hanging from it. National Museum of the American Indian, Washington
The hair tubes were most popular among the Indians of the southern and central plains, such as the Kiowa, Komaichi, Kiowa Apache, Arapaho, Cheyenne and Oglala Sioux.
Pictured are Sioux Indians. You can clearly see the different types of heapipes they wear…
And this is a Comanche heapipe. National Museum of the American Indian, Washington
By the way, almost no ritual dance costume could do without this decoration. Usually they were distinguished by special splendor and richness of decorations.
Hunkpapa Lakota in a dancing costume with a heapipe. National Museum of the American Indian, Washington
The Washington National Museum of Indians has several examples of these men's dance costumes, and this is one of them!
Among the same tribes, there was a fashion for wearing massive cupronickel pectorals - large crosses or pectorals with pendants. As a rule, they were decorated with engraving and, again, possessed a certain "magic", that is, they could protect their owner from an arrow and even ... from a bullet. So the size in this case was important!
Absolutely all the Indians were very fond of the medals that they wore on their chests on silk ribbons, and sometimes several at once. The question is, where did they get them from? Knowing the love of the Indians for shiny trinkets, they were supplied by their white merchants. American medals came to them from the east, English medals from the northeast, Spanish medals from the southwest, and Russian medals from the northwest. An interesting custom arose: at the conclusion of treaties, the whites began to present medals to the Indians "as a sign of peace and friendship."
"Medal of Peace" with a portrait of President Edward Jackson, Pikuni tribe. National Museum of the American Indian, Washington
"Medal of Peace" by President Thomas Jefferson (dated 1801). Arapaho tribe. National Museum of the American Indian, Washington
Any leader or warrior who had such a medal was very proud of it and tried to put it on at every opportunity so that everyone would see this sign of recognition of his merits from the “Great White Father”, and simply as an ornament.
Among the Indians of the prairies, exotic shells were also in great demand, especially cowries, which were used for embroidery of clothes and for the manufacture of beads and earrings. True, such materials, unusual for us, as the milk teeth of an elk, the front teeth of a beaver and the claws of a bear, were also used for embroidering clothes.
Sioux moccasins embroidered with painted porcupine quills. Ethnographic Museum of Hovburg Castle, Vienna. Author's photo
Feathers are the material that for many centuries served the Indians of America for the manufacture of extremely elegant products. For example, such as this Aztec feather shield, a gift to Emperor Charles V. Ethnographic Museum of Hovburg Castle, Vienna. Author's photo
Indian women's clothing was traditional - a long dress made of leather or fabric, moccasins and leggings, which, however, were always shorter than men's, and tied up above the knee. Often, women's moccasins and leggings were one piece and looked like high boots.
The dress was necessarily decorated with embroidery from porcupine quills or beads. Moreover, everything that was at hand or that came across from white merchants was used for embroidery: copper coins, thimbles, bells, very often cowrie shells. The daughter of a rich Indian could wear a dress entirely embroidered with beads.
Women's dress worn by female relatives of the Ton-Kon-Ga (Kiowe Black Leggins Society) warriors. National Museum of the American Indian, Washington
And here is a set of elements of women's clothing for a sacred dance. Very beautiful, isn't it? National Museum of the American Indian, Washington
Female warriors, and there were also such in the Indian tribes, wore ordinary women's clothing, but they could put on a male feather headdress or a medal. Often a young girl was taken on campaigns. Dressed in a bright red dress, she galloped in front of the detachment, exciting the soldiers to battle. "The bravest will take me as a husband!" - she shouted, and if the girl was really brave, skillful and beautiful, then ... the soldiers of the detachment had a sense to fight for her hand and get more horses, scalps or make a lot of ku!
Women's leggings of the Shoshone tribe. National Museum of the American Indian, Washington
The Indians decorated almost all the items they used. Here is an example of a gun case. The thing is completely utilitarian, necessary to protect the metal of the gun from the weather. But what did the Indians turn them into? It's worth a look!
Gun case for the Sik-Sik ("Blackfoot") rifle. National Museum of the American Indian, Washington
And this is a Sioux Indian revolver holster. National Museum of the American Indian, Washington
Another holster is the Bannock Indians. National Museum of the American Indian, Washington
Revolver holster of the Chippewa Indians. National Museum of the American Indian, Washington
Any bags or handbags, sacks for provisions, bandages, belts, scabbards for sabers - “long knives”, which the Indians also did not neglect, were richly embroidered with beads, and even the most utilitarian objects were given a form pleasing to the eye with their sophistication.
Cartridge bag for the Naskapi Indians. National Museum of the American Indian, Washington
Sioux smoking pipe made of catlinite and inlaid with lead. National Museum of the American Indian, Washington
Another smoking pipe from the Wasco tribe, Oregon. Inlaid with lead. National Museum of the American Indian, Washington
Amazingly beautiful catlinite Pikuni pipe with beaded decorations. National Museum of the American Indian, Washington
An 1866 .44 caliber Winchester decorated with copper-headed wallpaper nails. Belonged to the Ne-Perse Indians. National Museum of the American Indian, Washington
As in the European armies, the Indians adopted their own insignia. But at the same time, there was one rather strange difference: a great warrior and an outstanding leader could well have not had a headdress made of eagle feathers and a mass of various ornaments, which, however, did not detract from his glory at all. That is, a great warrior, a truly great one, simply did not need any signs and decorations, he was already known to everyone and revered.
In addition, in battle, not all leaders put on magnificent hats, because they understood that it was they who would attract enemy shooters in the first place. So the same Osceola could well not wear an ostrich feather dress in battle, although who knows ...
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