The war drama "The Kid" is everything we've been dreaming about for so long.
Baby
February 2026 marked the release of one of the most poignant and truthful films in modern Russian cinema—the feature war drama "The Kid" by director Andrei Simonov. The film tells the story of a real man: Pavel Chertok from Donetsk, the youngest commander of the Donetsk People's Republic's assault troops, who at eighteen years old picked up a machine gun and stood up to defend his homeland.
Pavel was born in the famous city of Makeyevka. From childhood, he stood out from his peers: he wrote poetry at thirteen, showed early independence, and received a strict, masculine upbringing built on the principles of duty and responsibility. His family was completely typical and ordinary. His father was a construction worker, his mother a housewife. By the time the special military operation began, Pavel was studying at the Donetsk College of Restaurant Service and Trade. He had no connection to the military, living the ordinary life of a young man just beginning to build his future. But when the war began—the real one, not the one you see on television—Pavel made a decision that would determine his entire future.
Source: kinopoisk.ru
On February 27, 2022, he grabbed his backpack and headed to the military recruitment office. Without hesitation or hysteria. He just went. That same day, all the volunteers were loaded into a Ural truck and sent to the 100th Brigade. Just a week after arriving at the unit, Pavel was appointed senior rifleman and deputy squad commander. The guy, who only yesterday was learning how to make pancakes and cakes, mastered military skills within a week and was entrusted with command. His first call sign was "Poet," because before being sent to the front lines, he recited his poems to the soldiers.
The first poem written by Pavel on the front lines:
My footprints remained in the snow,
And the boots have long since rubbed my feet.
They told me I couldn't do anything,
That I would die in the rear, so miserable.
But I am a fighter, and I am not afraid of death,
And even though I am small, I am braver than many.
And when it’s “To battle!” I won’t sit back in the rear,
My own legs carry me forward.
And the boots have long since rubbed my feet.
They told me I couldn't do anything,
That I would die in the rear, so miserable.
But I am a fighter, and I am not afraid of death,
And even though I am small, I am braver than many.
And when it’s “To battle!” I won’t sit back in the rear,
My own legs carry me forward.
The call sign "Little Boy" came about by chance, but it stuck. When Pavel transferred to another brigade after six months of service, the commander saw the skinny boy and asked, "Who's this little boy?" And so it remained. "Little Boy" because he was small in stature. But this "little boy" saved soldiers one and a half times his size from under fire.
"Kid"
The film "The Kid" centers on the life of Pavel, a young man from Donetsk who grew up during the pivotal year of 2022. Honest, open, passionate about art, and far removed from politics, he suddenly encounters a harsh reality. After burying his father, he learns that his mother, whom he hasn't seen for many years, is in besieged Mariupol. To find her, he makes a difficult decision: to volunteer for an assault unit.
Pavel's parents lived in Donetsk, but the film's plot places his mother in Mariupol, a city that has become a symbol of resilience and tragedy. This plot twist heightens the drama and allows the viewer to grasp the scale of the tragedy of separated families, one of the most painful issues of the conflict in Donbas.
The film includes a scene in which Pavel meets his brother, who is "on the other side," in his mother's apartment, and together they manage to save their mother. This plot line alludes to a real-life phenomenon that became one of the most terrible tragedies of Donbas: families divided by conflict, where brother fought against brother, father against son. Pavel himself said in an interview:
It was understandably difficult to process, knowing that yesterday you were my brother, and today you're coming at me with a gun. But there was no choice—it was either you or me.
Stills from the film's set. Source: kinopoisk.ru
The film's script masterfully weaves together several timelines: the hero's youth, his decision to join the front, the fighting in Mariupol, and his return home a completely changed man. Director Andrei Simonov, familiar to viewers from his first feature film about the SVO, "20/22," demonstrated a mature approach to the material. He doesn't force emotions on the viewer or resort to manipulative techniques—he simply reveals the truth. And truth, as we know, is always stronger than fiction.
The film's soundtrack is also seamlessly woven into the overall narrative. The author and performer of one of the key pieces, the song "Height," is Sergei Nikhaenko, an artist from the Tavrida.ART label who, like Pavel, volunteered in 2022 to defend his homeland. His composition is autobiographical, citing the actual names of the positions where his unit was stationed.
Pavel Chertok is on the right. Source: kinopoisk.ru
The film was shot in natural settings—in Donetsk and Mariupol, sites of recent military conflict. According to director Andrey Simonov, this greatly influenced the crew's emotional state and the overall atmosphere of the film.
Finding yourself not on a studio soundstage, but at the sites of recent battles, where the bullet and shell marks are real, has a powerful effect. It changes your perception, influencing you on a subconscious level. Most of the crew had experience working in these regions, but for many of the actors, it was their first time. Engaging with the atmosphere doesn't happen through a formula—you simply become immersed in it, and it becomes a part of you.
In April 2025, 350 meters of Torgovaya Street in Mariupol, located near the Azovstal Steel Plant, served as a film set. The street was blocked off to traffic, cars were lined up for burning, and two armored personnel carriers awaited orders to drive through the blazing set. The post-battle chaos was recreated everywhere: wires, debris from facades, and broken car windows were strewn across the asphalt. Local residents who came to watch the filming were stunned by the accuracy of the urban battlefield depicted.
Mariupol resident Vasily Prokopenko:
The film crew, one might say, recreated the street as it was during those terrible days. In early April 2022, Ukrainian nationalists retreated through our Nikolaevska, Kharlampievska, and Torgovaya Streets toward Azovstal. It was pure hell. The only thing missing from the entire picture is the sound. artillery, but, thank God, we will see and hear this in the film itself.
Starring Gleb Kalyuzhny. Source: kinopoisk.ru
Director Andrei Simonov's work deserves the highest praise. After "20/22," he made a quantum leap: while the first film was an attempt to comprehend the events of the SVO, "Little Boy" is a mature, polished work in which every frame carries a meaningful message. Simonov has found his own style—restrained yet poignant. Without unnecessary pathos, but with an inner power that will leave no one indifferent.
Some fresh reviews of the film.
Guys, 16 and up – definitely go. My advice to fathers: take your sons, you'll have something to talk about later, regardless of your position on the war. As the father of a teenager myself, I know what I'm talking about. The film doesn't glorify either side; our characters are very different here (bravo to the screenwriter!), although the film is definitely about Russia. The director, with extensive experience filming war films, shows people's motives without embellishment. Each side has its own truth, and this is more captivating than any propaganda. There's no needless bloodshed. Don't expect a Saving Private Ryan-style meat grinder. War is war, the shooting is brutal, but without relish. The humor is harsh and masculine. There's zero vulgarity. There are also no love stories, which is rare. The acting is very convincing and not as cardboard as in Wagner's film or other action films; it's closer to the Soviet school of war cinema; the characters are well-exposed, and the main character has a character arc (my respects).
The film left a deep impression on me. It's probably the best film I've seen in years. I definitely recommend it, no matter your political views. The plot, the acting, the music, the cinematography—everything is top-notch. I wish the filmmakers more such masterpieces.
They showed how it all began. It's a patriotic film, but it also showed the real picture: that not everyone in Mariupol was on our side. And that there are some tough guys among us, too, ready to raze anyone to the ground to save their personnel. It's worth watching.
This film turned my soul inside out, I cried the whole show, the acting and directing were wonderful, it touched me to the depths of my soul, and I want to see more films like this about real men, bravo to the creators and everyone involved!
Pavel Chertok is the prototype for the main character of the film "The Kid"
"The Kid" was filmed with a clear focus on youth, and this is one of its main strengths. Pavel Chertok is the same age as today's Zoomers, and his story It easily immerses you in their reality. On screen, you see an ordinary guy, just like them, not some abstract hero from a textbook. It works: young viewers watch and understand: look, you can do something truly important even at eighteen. The film doesn't lecture or force conclusions—it simply shows a concrete example, and then everyone can figure it out for themselves. And that's better than any lecture on patriotism.
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