Sculptural reconstructions by M. Gerasimov: mistakes of a famous anthropologist

M. Gerasimov at work on the reconstruction of Ivan the Terrible's appearance
Everyone probably remembers from school the photographs of famous sculptural reconstructions created by the famous anthropologist Mikhail Gerasimov. He tried to recreate the appearance of such famous people as Yaroslav the Wise, Andrei Bogolyubsky, Ivan the Terrible, Fyodor Ushakov, Timur (Tamerlane). For a long time, the reconstructions of the respected doctor of sciences and his students were treated uncritically, considering them almost as "portraits from life". However, many historians noticed the shortcomings of reconstructions using Gerasimov's method almost immediately, they were simply striking. For example, here is what Sophia Paleologue looks like in the reconstruction made using this method by S. Nikitin in 1994:

We see a pretty, thin woman whose appearance fully corresponds to modern canons of beauty. But here is how the Italian poet Luigi Pulci, who was present at the ceremony of the absentee marriage with Ivan III, describes her:
Gerasimov's reconstructions of Timur and his descendants raise big questions among experts. Tamerlane is depicted as a 100% Mongol:

Meanwhile, many medieval authors describe this conqueror as a man with white skin, blue eyes and a thick red beard. Here, for example, is the testimony of Thomas of Metsop:
Ibn Arabshah writes:
And Gerasimov himself, according to the recollections of his colleagues, claimed that the first version of his reconstruction of Timur's appearance was not approved by the management, since he unexpectedly turned out to look like... a typical Caucasian! This categorically contradicted the scientific ideas of those years, and therefore the management strictly ordered Gerasimov "not to distort history».
Tamerlane's son Shahrukh and the conqueror's grandson Ulugbek also had obvious European features. The same Gerasimov writes:
And here is how Gerasimov described the skull of another son of Timur – Miranshah:
It is unclear on what basis Gerasimov suddenly declared Miranshah a Mongoloid: experts note with surprise that everything listed above, except for high orbits, is precisely a sign of Europeanness.
Sculptural reconstruction of the appearance of Andrei Bogolyubsky by Gerasimov
So, we have sorted out the "editing" of the appearance of Timur and his descendants: they were done under pressure from the leadership, which wanted to see them as Mongoloids - in full accordance with the scientific ideas of those years. And now let's talk about the most scandalous sculptural reconstruction by Gerasimov, in which the Russian prince Andrei Bogolyubsky looks like a typical Mongol. Mikhail Mikhailovich even depicted him with the notorious epicanthus - a fold at the inner corner of the eye above the lacrimal tubercle, between the upper and lower eyelids. Epicanthus is also called the third eyelid, double eyelid and Mongolian fold.

Andrey Bogolyubsky at the reconstruction of M. Gerasimov
Gerasimov himself wrote:
But, let us note a very important circumstance: in Gerasimov's time, there was no reliable method for determining race by the skull. It was patented only in 2017 by a group of Russian forensic experts - Zvyagin Viktor Nikolaevich, Kovalev Andrey Valentinovich, Galitskaya Olga Ivanovna, Narina Nina Vladimirovna, Usacheva Lyudmila Lvovna, Fomina Elena Evgenievna (but was already used in the early 2000s). Currently, this method is recognized throughout the world and is widely used by forensic experts. Such an authoritative specialist as the aforementioned V. Zvyagin wrote about the works of Gerasimov, his followers and students:

V. N. Zvyagin – Honored Doctor of the Russian Federation, Doctor of Medical Sciences, Professor, Head of the Laboratory of Forensic Osteological Research of the Russian Center for Forensic Medical Examination of the Ministry of Health of Russia, Head of the Department of Forensic Medical Identification of the Person
So why did M. Gerasimov give Mongoloid features to the appearance of the Russian prince Andrei Bogolyubsky? The reason is probably the same as in the case of Tamerlane and the Timurids - the prevailing ideas of the time about the Mongoloid appearance of the Polovtsians and the indication that the mother of Andrei Bogolyubsky (the son of Yuri Dolgoruky) was the daughter of the Polovtsian Khan Aepa.
(Ginzburg and Gerasimov, 1945).
But here is what the Polovtsian from the burial near the village of Kvashnikovo looks like in the reconstruction by G. V. Lebedinskaya, created in 1989:

But Galina Viktorovna Lebedinskaya, who headed the Laboratory of Plastic Reconstruction of the Institute of Ethnography of the USSR Academy of Sciences (Institute of Anthropology and Ethnology of the Russian Academy of Sciences), was a student of M. Gerasimov! But her Polovtsian is a 100% European.
Let us return to the study of the skull of Andrei Bogolyubsky.
The remains of this prince were examined and briefly described in 1919. In 1934 they were studied by D. G. Rokhlin, who worked in the X-ray anthropology laboratory of the Leningrad State X-ray Institute. In 1939, the skull of Andrei Bogolyubsky was sent to the Moscow Laboratory of Plastic Reconstruction, where in 1941 it was examined by M. Gerasimov, in 1945 – by Gerasimov and Ginzburg. And Gerasimov himself wrote in 1945:
And then he adds, frightened:
In the 1949 year:
And, again, there follows an unnecessary addition:
However, the appearance of the Polovtsians did not surprise the Russians, Hungarians or Byzantines. This is how dryly the chronicle reports the first contact between the Russians and the Polovtsians in 1055:
But the appearance of the Mongols on the borders of the Russian principalities, and then Europe, became a real cultural shock for the local residents: it was precisely because of their unusual and unfamiliar appearance that the new nomads (unlike the Polovtsians) began to be perceived by everyone as people from Tartarus - "Gogs" and "Magogs".
At present, the generally accepted opinion is that the Polovtsians had a European appearance. S. A. Pletneva, Doctor of Historical Sciences, Head of the Medieval Archaeology Group of the Eurasian Steppes at the Institute of Archaeology of the Russian Academy of Sciences, wrote about this:
The Polovtsians came to the Northern Black Sea region from the steppes of modern Kazakhstan and Central Asia, where they were known as Kipchaks. In Rus' they began to be called Polovtsians. The version according to which they were called so because of their characteristic straw-yellow hair color (from the word "polova" - straw) is considered quite reliable.

Fair-haired Polovtsians in a miniature from the Radziwill Chronicle
This version is supported by the fact that the Byzantine Romans also called the Kipchaks Cumans, and this word is derived from an adjective meaning pale yellow. In Hungary, a word with the same root was used - Kuns. It was to the territory of Hungary that the Polovtsians went under the blows of the Mongols, their descendants make up a significant part of the population of this country - and no signs of Mongoloidity are noted among the Hungarians. The Polovtsians also took part in the ethnogenesis of the Moldavian Gagauz, who are also by no means Mongoloids.
A strictly scientific reconstruction of the appearance of Andrei Bogolyubsky
In 2007-2008, the remains of this Russian prince were examined by specialists from the Russian Center for Forensic Medical Examination of the Russian Ministry of Health, headed by the above-mentioned V. Zvyagin (the tomb was opened on July 25, 2007). The studies were conducted in strict accordance with the official programs of forensic medical identification of individuals, approved by this institution.
Then, in 2010, a craniological, osteological and odontological examination was carried out at the Institute of Ethnology and Anthropology of the Russian Academy of Sciences and at the Department of Anthropology of the Biological Faculty of Moscow State University; the prince’s skull was studied by D. V. Pezhemsky.
The experts' conclusions were quite expected.
V. N. Zvyagin wrote in 2010:
The same in 2011:
Here is an excerpt from the official conclusion of the anthropological commission headed by V.N. Zvyagin:

Graphic reconstruction of the appearance of Andrei Bogolyubsky (left) and verification of the correspondence of the graphic image to the skull (V. Zvyagin)
Let us continue quoting V. Zvyagin:
Here V. Zvyagin is extremely diplomatic, but some other authors use the terms “falsification” and “forgery”.
The head of the anthropology department at the Institute of Ethnology and Anthropology of the Russian Academy of Sciences, V. Vasiliev, wrote in 2012:
He:
D. Pezhemsky states in 2013:
He:
Taking all the circumstances into account, it can be assumed that other reconstructions by M. Gerasimov can hardly be considered relevant today. Look, for example, at the reconstruction of Ivan the Terrible's appearance, carried out using modern methods by the Brazilian anthropologist Cicero Moroes:

Ivan IV on the reconstruction of Moroes
And compare with what we see in Gerasimov’s reconstruction:

Two completely different people, aren't they? Gerasimov presents this tsar as a deeply vicious man - a degenerate with obvious signs of degeneration on his face. In the Brazilian scholar's portrait we see a rather nice man with a high forehead and intelligent eyes, which is quite consistent with the data on the high education and erudition of the tsar, who even composed music, and his "Canon to the Terrible Angel, the Voivode" - a very complex vocal work (signed Parfeniy the Urodivy) - has survived to this day.

"Canon to the Terrible Angel, the Commander-in-Chief", an Old Believer manuscript from the second half of the 19th century.
And therefore, Gerasimov’s reconstructions should still be recognized as original works of art, whose place is in a museum, but not on the pages of textbooks.
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