"Stories with a Stone"
The sword in the stone at the castle near the village of Thornton, England
Megaliths can be seen on the territory of many countries and continents. This is the name of ancient structures made of huge stones, connected without the use of cement or lime mortar, or huge detached stones. They surprise and inspire respect, magical properties were attributed to them, legends were written about them and tales were told. Let's talk a little about them.
Menhirs, dolmens and cromlechs
Freestanding stones are commonly referred to as menhirs ("long stone"), such as the Ballard stone in County Armagh (Ireland):
And this is Champ Dolent, the tallest vertical menhir in Brittany (9,5 meters):
Anthropomorphic menhirs include the so-called "stone women", many of which have been found in southern Russia, Ukraine, Altai, Tuva, Kazakhstan and Mongolia. This can be seen in the Kamennaya Steppe reserve (Voronezh region):
And on the territory of Mongolia, northern China, Altai Territory, Tuva, Transbaikalia, "deer stones" are found. Most often, they are embossed or applied with ocher drawings of deer, less often - horses, solar signs, or other images. The photo below shows the famous Ivolginsky deer stone, found in the middle of the 22th century, about XNUMX km from the city of Verkhneudinsk:
Now it stands at the Irkutsk Museum of Local Lore.
Several stones, placed so that they become like a table, are called dolmens (literal translation - "table-stone"). In the photo below we see the largest dolmen in France - Roche aux fées, "fairy stone" or "fairy stone", it is located near the city of Essay:
And groups of stones arranged in a circle are cromlech ("rounded place"). In Britain they are also called "henge" (Henge - "fence"). An example is Stonehenge (literally - "stone fence").
And this is the Easter Aquhorthies stone circle, which can be seen in the northeast of Scotland:
Cromlechs, built on top of hills, are called cores ("heap of stones").
All these terms (menhir, dolmen, cromlech) are of Breton origin. But in Adygea dolmens are called "ispun" or "sirp-un" (houses of dwarfs), in Scandinavia - "rese", in Portugal - "anta".
As we have already said, sometimes natural stones became objects of worship, which attracted attention with an unusual shape or huge size, we will also talk about some of them in this article.
Megaliths of legends and fairy tales
Stones with inscriptions mentioned in Russian epics and fairy tales can also be safely considered megaliths. We see one of them in the famous painting by V. Vasnetsov:
Another type of megaliths - stones, under which the heroes found "swords-kladenets": unique blades that clearly belonged to the warriors of other nations. The "baby" is a sword taken from an ancient burial, that is, these stones are tombstones. "Treasure" in this case means a grave (and several graves - a cemetery). Only a real hero can lift or move such a huge tombstone. The heroes of the Scandinavian sagas were looking for such swords not under stones, but in ancient burial mounds, while they had to fight the spirit of the former owner. Such "black archeology" was not considered a shameful occupation either in Russia or in Scandinavia: if a hero or a Viking was not afraid of a meeting with otherworldly forces and turned out to be strong enough to get a sword from the grave, then he deserves it weapons... Folk legends call the owners of the sword-kladenets not only Ilya Muromets and Svyatogor, but also Prophetic Oleg.
Another famous "sword-kladenets" was pulled out of the stone by a young man who became King Arthur.
This sword is often confused with "Excalibur" (probably from the Welsh Caledbwlch, where сaled - "battle", bwlch - "destruction"). It was this that Arthur received from the Lady of the Lake, Lady Vivien (after the first one broke during his duel with Pelenor).
Sword of the Lady of the Lake, illustration to Tennyson's poem "The Death of Arthur"
And this is what this scene looks like on a miniature from the manuscript "Death of Arthur" (1316, stored in the British National Library):
In the illustration below, the artist “combined” these two swords into one: a sword in a stone, but on a lake:
In fact, Thomas Malory says bluntly:
Andrzej Sapkowski in his "saga" about The Witcher could not resist a parody, in which Ciri appeared in the role of the Virgin of the Lake, and Sir Galahed, the future guardian of the Grail, in the role of King Arthur. True, he did not receive a sword from this "wrong" Lady of the Lake.
The knight ... came to his senses, dropped the reins and, kneeling down, sank onto the wet sand. Now he finally understood who fate had brought him to.
“Stay healthy,” he muttered, holding out his hands. - This is a great honor for me ... Great difference, O Lady of the Lake ... I am Galahad, son of Lancelot of the Lake and Elaine, daughter of King Pelles, master of Caer Benin ... believe me, I really deserve to receive a sword from your hands ...
- I did not get that.
- Sword. I am ready to accept it.
- This is my sword. I won't let anyone touch him.
- But ...
- What "but"?
- Lady of the Lake, when ... She always emerges from the waters and bestows a sword.
The girl was silent for a little, then said:
- Understand. As the saying goes, every country is a custom. I'm sorry, Galahad, or whatever you are, but you ran into the wrong Lady. I don’t give out anything. I don’t give anything. And I do not allow to take it away from me. "
But back to the first sword of King Arthur: according to an older and more substantiated version, this sword simply lay on a stone, crushed by a heavy anvil. That is, Arthur did not pull him out of the stone, but threw the anvil to the ground: it is quite rational and no mysticism. And, by the way, this is already a variant of the "serpentine stone" or "stone of fate." We will talk about such stones in one of the following articles.
Another sword in stone can still be seen in the Cistercian abbey of San Galgano (about 30 km from Siena). The future saint Galgano Guiotti (1148-1181) led a dissolute life in his youth, but one day he heard a voice calling him to repentance. With a sneer, he replied that it would be as easy for him to do as to thrust a sword into a stone, and struck a piece of rock next to him with his blade. To his surprise, the sword easily entered the stone and remained in it forever. At this place, Galgano spent the rest of his life.
Galgano Sword
A chapel was built here, around which an abbey grew over time. In the 1786th century it fell into decay, and in 1924 the bell tower and the roof collapsed. The abbey was never restored, but the chapel was renovated in XNUMX, now it houses a museum. Historians believe that the monks stuck the sword into an "artificial" stone, the manufacturing technology of which was known to medieval architects: crumbs of granite, dolomite or sandstone were added to the solution. It turned out very similar to real stones.
And this sword can be seen in the rock above the entrance to the Abbey of the Virgin Mary in the French town of Rocamadour (135 km north of Toulouse):
How and when he appeared there is unknown, but the ancient legend calls him Roland's sword - Durandal. But the Ronseval Gorge is located on the border of Spain and France - far from Rocamadour, and in the "Song of Roland" nothing about the fate of this sword is reported. It is only said that before his death, the hero tried to smash his sword on stones, but could not do it.
And this is a modern monument "The Sword of the Bloods", which can be seen on the "Trail of Miracles" in the gorge in the Kardavagan canyon (North Ossetia):
According to popular legend, a certain hunter was saved by his blood enemy, after which they, as a sign of reconciliation, stuck a sword into a stone.
Megaliths of Broceliande
A special place in Breton folk mythology is occupied by the famous Broceliande Forest, about which V. Hugo wrote in the novel "93":
This is not an illustration for a fantasy novel, but a modern photograph of Broceliande. In the background there is a "golden tree" (gilded chestnut), which is surrounded by five black skeletons of burnt trees - a memory of the last fire
Currently, Broceliande is believed to be part of the Pempon Forest. It is in Broceliande that you can see two lakes, one of which is called the "Mirror of the Fairies" (le Miroir aux Fees), and in the second (Comper), according to legends, there was an underwater castle of the fairy Vivienne, a student of Merlin and teacher of Lancelot.
Comper castle on the shore of the lake of the same name
According to one version, it was Vivien (Nimue, Ninev, Lady and Lady of the Lake) who imprisoned the famous magician Merlin, who was in vain for her, in a rock. This was discussed in the article "Arthur, Merlin and the fairies of the Breton cycle".
In the pictures below by Edward Coley Burne-Jones, Merlin is not represented as a deep old man, but as a young man in full bloom:
Edward Coley Burne-Jones. "Enchanted Merlin"
But such a young dandy appears to be in love with Vivienne Merlin in the illustration of Albert Herter:
But, as they say, "you cannot order your heart." In the painting by Gaston Bussieres, we see the only thing that this magician managed to achieve from the Lady of the Lake:
In Broceliande, the spring of Baranton (la Fontaine de Barenton) is still shown, the water of which supposedly heals madness. It was also called the fountain of youth: it was believed that washing with water from it smoothes wrinkles. It is said that a golden ladle once hung on a branch of a tree nearby: if water was taken into it from a spring and poured onto the surrounding stones, it was as if it was starting to rain.
Baranton was guarded by the Well Knight.
You can see in Broceliande and the "Valley of No Return", the way out of which, at the behest of the fairy Morgana, could not find the knights unfaithful to their ladies.
And there are megaliths here, some of which are shown in these photos:
"Fairy Vivienne's House"
But these megaliths, called de Monteneuf, were found in the south of the Broselian forest only in 1989:
In the next article we will talk about some of the mysteries of the megaliths.
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